CGI / Hologram / No Planes

Specific 9/11 Issues
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Exactly my point.

Every time this guy hits a group of balls, they scatter outwards - away from each other.
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rory breakr
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rory says:
I don't think a missile nose would survive with it's shape either, but getting back to my point initially - Do you think we are looking at the nose of the plane.
carcdr says:

I don't see evidence that a commercial plane hit the Towers.

Basically, we're looking at bullshit. The "nose out" was a mistake - the graphic artists who presented us with the "nose out" simply fucked up. ...
Ok, so I need to clarify the question from above that you responded to:
(And sorry for the delay, my free time is minimal these days.)

Do you think we are looking at the nose of the plane? (real or a composited plane) that shows it nose on the other side of the building?

By referring to the "graphic artists ... fucked up" I assume you are talking about a composited plane.
If it a composited real or an animated plane image that was added to the live feed of the explosion ... my 2 questions remain -

1. what about the frames that do not have the shape (and not close either) to the nose of a plane?

2. how is it possible that the other shots show this same type of explosion if it a unique event?

after all,
we do see the 'nose' type explosion (dark small first, then engulfed by fire-y large):

from the angles that it should be visible:

I don't understand why the Fox 5 shot was "hidden" from the public if all the videos show this.
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Question for No Planers:

If No-Planes is a way to get rid of evidence and make sure everything goes smoothly, how can you rely on C4, thermate, nukes, or beam weapons to do the job without leaving sure-fire evidence?
However, it's possible the beam weapons were from Atlantis. :o
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This posted yesterday, via ... _0404.html
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Israelis are lowest of the low and will stab their own mothers in the back. I do believe the US gov is behind this charade; but this is interesting.
In the period leading up to 9/11, a group of Israelis (non-U.S. citizens) managed to secure “temporary construction” passes to perform work on the 91st floor of Larry “pull it” Silverstein’s leased WTC 1. These passes gave them access to the entire WTC complex. The pretense was an art project called the “B-Thing” and the group is called Gelatin.

After securing their passes, Gelatin proceeded to remove the heavy WTC windows of an office space on the 91st floor and reportedly constructed a prefab balcony outside of the building. Then they stretched “putty” around the windows and filmed it by helicopter as a stunt. The New York Times even felt strangely compelled to cover this story and considered it newsworthy, or a backstory. On the right is the photo of the balcony as shown in the newspaper article.


This may sound innocent enough for the dum dums except for the fact that photos — taken from the artists’ book called the “B-Thing” AND used in the Times’ article — from inside the 91st floor camp out revealed boxes stacked to the ceiling with the letters and numbering “BB 18” on the side. BB 18 is the model number for a fuse-holder accessory, as described:

Features/benefits of this product: “Purpose is to save space and workload in a complicated wiring situation. Decreases wiring terminations, small footprint reduces space requirements, reduces assembly time, prevents accidental finger exposure, quick and safe method of changing fuse holder configurations, allows for future expansion, improves troubleshooting, eliminates power distribution block.”

Also take note that the ceiling tiles have been totally removed and expose the steel girders. The following little gem, and perhaps a calling card, was included in the ops’ egotistical, self-absorbed and freakish book.


The impact points of the “planes” were at the 93-98 floors. Below, cartoon physics of an aircraft imprint created by its flimsy aluminum wings that could not penetrate steel exterior columns.


Buried and apparently long forgotten is this 2002 Daily Mail story about the U.S. arresting and deporting 200 Israelis, some of whom posed as “art students,” for spying and espionage activities in the lead up to 9/11. In addition, here is the DEA’s report on Israeli activities in the U.S. just prior to 9/11. So much for the nonsensical theory that Muslims in Afghan caves pulled off this crime of the century.
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