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gritzle70



Joined: 27 Sep 2006
Posts: 72

PostPosted: Tue Dec 09, 2008 9:40 pm    Post subject: The Signature of the Spheres Reply with quote

The Signature of the Spheres
http://www.keplerstern.com/Introduction/introduction.html

In his book Die Signatur der Sphaeren (The Signature of the Spheres) the author unfolds the astonishing discovery of a complex order in our solar system and puts the ancient idea of a “harmony of the spheres” in an excitingly new perspective. Based on modern astronomical and mathematical algorithms we witness the facts and figures of an indeed very astonishing order in our cosmic home.

The order and movement of the planets in our solar system corresponds very accurately to simple geometrical figures and musical intervals, although in a different way than assumed in conventional concepts. One of the keys for an explanation is to be found in the analysis of the harmonical arrangement in the semiminor axes of the elliptical orbits, whereas earlier models and calculations were based on the semimajor axes.

The structures presented in The Signature of the Spheres incorporate the distances, the velocities and the periods of conjunction of the planets as well as the rotations of the Sun, Moon and Venus. Numerous graphics illustrate the extraordinary beauty of some of the geometrical forms that result when the movements of several planets are put in relation.

Moreover the author describes and analyses the most important concepts of a “music of the spheres” from the ancient times until today with a special consideration of Johannes Kepler's "revolutionary" ideas. Furthermore the current scientific facts about the origin of the universe and the solar system are explained. Thus the reader is invited to an expedition and will be enabled to take part in a profound - professional and philosophical - discussion of the subject and its importance for the modern, mainly purely scientific view of the cosmos.

The “music of the spheres”
The play of the movements
The secret of rotations
The geometrical arrangement of the planets

The results are based on modern astronomical algorithms (VSOP-theory, developed by the Bureau des Longitudes, Paris etc.) In the appendix of the book you will find the mathematical and astronomical methods of calculation and also a detailed discussion of the accuracy and the periods of validity of the used methods.
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gritzle70



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PostPosted: Wed Dec 10, 2008 9:41 am    Post subject: How to make your own sun Reply with quote

Quote:
Junglelord said: The relationship of the Aether Cycle to the Primary Angular Momentum that it encapsulates is the cause of PHI and e. Since the geometry of the ES Charge is a sphere and the geometry of the EM Charge is a Toroid, it is common sense to see why Tesla had these two coils as part of his Impulse Magnifying Transmitter which is a Star Z/Theta Pinch


It appears that with the knowledge of aether, the circle and the torus, free Masonic scientists can create an artificial sun. What do you think they are really doing with particle accelerators?

Tests show 'artificial sun' is reliable
http://www.physorg.com/news88097920.html

A series of tests run by Chinese scientists on an experimental thermonuclear reactor have found "the artificial sun" is a reliable energy generating process.

Designed to replicate the sun's energy generating process, the Experimental Advanced Superconducting Tokamak fusion reactor recently garnered positive results in tests being conducting at China's Institute of Plasma Physics, the Chinese news agency Xinhua reported.

(And you thought I was joking.)

Take the Z and turn it 90 degrees and superimpose on the original Z, and you have a swastika.

The Sandia Z accelerator
http://www.sandia.gov/media/z290.htm

PULSED POWER TECHNOLOGY AT SANDIA NATIONAL LABORATORIES
http://www.sandia.gov/pulsedpower/

Pulsed Power Technology (PPT) is used to generate and apply energetic beams and high-power energy pulses. It is distinguished by the development of repetitive pulsed power technologies, x-ray and energetic beam sources, and electromagnetic and radiation hydrodynamic codes for a wide variety of applications.

Reverse Field Pinch Experiment
http://www.igi.pd.cnr.it/wwwexp/rfp_history/2hystory.html

Quote:
In a gas the flow of an unidirectional current produces an azimuthal self generated magnetic field that tends to constrict (or pinch) the same current channel.

The pinch effect is a phenomenon where a magnetic field keeps a plasma away from its container walls, increases the plasma density and heats the plasma by adiabatic compression; in the meantime the plasma is heated by the Joule effect too.

For damping the instabilities of the pinch discharges, in the late 1950s research concentrated on the so-called "Stabilized Pinches", usually in toroidal geometry.

The broad conclusion of those ten years of work was that, even with a stabilizing toroidal field, although the pinch was globally stable and the column remained centered in the tube, there were nevertheless large energy losses, poor confinement, fluctuations and residual instabilities. Similar conclusions were reached in the ZETA experiment: large energy losses by vacuum ultraviolet radiation and unstable field configurations.

In the years 1958 - 60 it was proposed that the application of a reverse magnetic toroidal field at the wall would provide pinch stabilization.

The first plasmas were made in linear devices, whose liners were made of quartz or glass.

The plasmas were discharges, with low gas pressure, between two electrodes (Z-Pinch) or annular induced discharges (Theta-Pinch).

During the 1960's fusion research moved away from the Z-Pinches to Mirror Machines, Stellarators and Cusps, where external conductors with no net plasma current defined the magnetic field and to Theta-Pinches.

These experiments were important because they demonstrated the theoretical expectations for the presence in plasmas of the ideal and resistive MHD instabilities, including early evidence of sustained reversed field generation (Dynamo).

In the same years at Padova more complex and promising experiments began on toroidal machines where the plasma heating was produced by the Pinch effect.

Woltjer, an astrophysicist at the University of Chicago, in 1958 enunciated and proved a theorem on "Force-free" magnetic field, i.e. a field configuration where the Lorentz force vanishes.

This has two important consequences. It proves ... the stability of force free fields with constant k ...It also shows that in a system in which the magnetic forces are dominant and in which there is a mechanism to dissipate the fluid motions the force free fields with constant k are the natural end configurations".

Thus Woltjer stated the possibility of the presence and the stability of force-free magnetic fields with non-constant k and suggested possible mechanisms to dissipate the particle velocities

Taylor reconsidered the experimental measurements of ZETA, observing that ".... after an initial violently unstable phase the plasma frequently relaxes into a 'quiescent' state in which it appears to be grossly stable.

Furthermore when the pinch ratio 'theta' exceeds some critical value this relaxation is accompanied by the generation of a reversed toroidal field in the outer regions of the plasma."

As a conclusion Taylor demonstrated that, if " ... the plasma is regarded as a conducting but viscous fluid enclosed in a rigid, perfectly conducting, toroidal vessel, .... the system is not in equilibrium and when released will therefore move (usually violently) and dissipate energy before coming to rest."

The Taylor analysis came to the following conclusions:

- the presence of the Bessel Function J0 for the toroidal field allows the field reversal at the wall during the plasma quiescence;

- the theory states a strong connection between the Reverse Field Pinch (RFP) plasma and the astrophysical plasmas studied by Woltjer.

Taylor demonstrated theoretically that the quiescence states observed in ZETA were preferential states, named "relaxed states", i.e. natural asymptotic evolutions of the magnetically confined plasmas.

It is very interesting to record also the speculative aspect of Taylor's theory.

"Like the RFP, the Solar Corona has been found to be highly dynamic. It exhibits both quasi-continuous and large amplitude quasi-periodic magnetic fluctuations. Also like the RFP, it is driven away from its preferred state by electric fields at its boundary. For the case of the RFP, this electric field is imposed by the external circuit. For the case of the Solar Corona, this field is induced by convective motions in the photosphere - the dense visible surface of the sun - that move the feet of the coronal magnetic field lines about.....

The coronal magnetic field is anchored in the photospere,...which forms the lower boundary of the coronal plasma.

In both cases,...RFP and Solar Corona, ...the resulting dynamics can be interpreted as a form of plasma relaxation. The dynamics of the Solar Corona are likely similar to those occurring in stellar coronae throughout the Universe. ...

A significant difference between relaxation in the Solar Corona and the RFP is the type of drive, or power input. In the Solar Corona the power input is greater than what is required to sustain the system against resistive diffusion. It is this excess power that drives the system away from the relaxed state.......The resulting relaxation may manifest itself as a solar flare or coronal mass ejection.

In the RFP the drive is the power supplied by the toroidal voltage that is required to maintain a steady mean field profile. This power input is just sufficient to generate the required level of MHD fluctuations necessary for the Dynamo; the system would not be sustained without this power input." [S. Ortolani, D.D. Schnack.

At the end of the 70's and in the early 80's a consolidated opinion was formed on the need to investigate thoroughly the RFP configuration as a possible approach to Thermonuclear Fusion using larger machines and more intense plasma currents than in devices operating at that time.

The RFX construction was completed in 1991 and the first plasmas were produced in 1992


The ancients, however, were much smarter. They didn’t need to use high technology to create a plasma beam weapon.

The Dorje (Plasma Beam Weapon?)
http://www.viewzone.com/dorje.html

Vajra is a Sanskrit equivalent of the Tibetan word dorje and it carries many meanings: Indra's thunderbolt, the lamas' sceptre, and diamond, but only in the sense mentioned above. It may also be used as a qualifying term for anything used in the tantric context. Thus the person who presides at tantric rituals is called the vajra master or dorje lopon.

Dorje (Vajra)
http://buddhistsymbols.info/dorje-vajra/

The form of the vajra is a sceptre. It have its origin in the single or double trident, a symbol of the thunderbolt or lightning in numerous ancient civilisations of the Near and Mideast. Analogs are posited with the meteoric hammer of the Teutonic sky god Thor, the thunderbolt and sceptre of the Greek sky god Zeus, and three thunderbolts of the Roman god Jupiter. As a hurtled weapon the indestructible bolt of lightning blazed like a meteoric ball of fire crossed the heavens, in a whirlpool of thunder, fire and lightning.

The dorje is in general two-sided but the vishvavajra, double dorje or the double thunderbolt holds four heads representing the four Dhyani-Buddhas of the four directions.

The vajra or dorje and its complemental object, the bell, are the feature ritual implements of Vajrayana or the Tantric Buddhism. Whilst the dorje with its male associations represents the compassion, the ghanta (Tib.: drilbu) represents wisdom, which is considered a female principle. To attain enlightenment, the two principles should act in harmony. In the Buddhism, the bell is visualised as the body, the dorje is the mind, and the sound of the bell is taken to be the speech of the Buddha.

The Dorje was used in conjuction with The Bell.

Formation of the torus-shaped structure in normal glow discharge
http://resources.metapress.com/pdf-preview.axd?code=uq6t10wlr7268721&size=large

Current density is of a bell-shaped form.


Last edited by gritzle70 on Wed Dec 10, 2008 10:26 am; edited 4 times in total
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gritzle70



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PostPosted: Wed Dec 10, 2008 10:14 am    Post subject: The Torus (The Bell) Reply with quote

TOROIDAL SPACE
http://www.harmonicresolution.com/Toroidal%20Space.htm

A torus is defined by two parameters: the radius of the torus (that is the radius of the torus's defining circle, measured from the origin) and the radius of the tube (the perpendicular distance from the defining circle to the surface of the torus).

In "superstring" physics, the torus is known as the "perfect" shape. It is now accepted as a mathematical model that can be used to describe objects in space. Surface topology is superior to geometry for describing such phenomenon because it deals with much more sophisticated and profound spacial and temporal relationships.

Other scientists have also suggested that the entire universe may be shaped like a torus. Itzak Bentov in a final book called “A Brief Tour of Higher Consciousness is dedicated to the idea that all reality including consciousness itself can be modeled with the toroidal manifold. His diagrams show galaxies as being toroidal forms with "white holes" putting out energy while "black holes" on the opposite side taking it back in.

For an image of the Earth’s field, which science refers to as the Van Allen Belt, click on www.windows.ucar.edu/ and click on Enter the Site, then Our Planet, then Image Archives. See how the field is donut shaped close to the Earth? This is referred to in sacred geometry as the tube torus. It’s a shape that occurs often in Nature.

In particle physics, the doughnut shape is also known to provide the best environment within which to accelerate particles as it can hold and route the plasma formed by such machines in a more efficient manner. Toroidal geometry is attractive for space energy storage magnets because it results in small external magnetic fields.


When it comes to designing gravitational environmental habitations, the torus has been realized as the preferred shape within which to enclose a space station or star colony.

THE TORUS IN METAPHYSICS

In addition to its real world correlations, the torus has also been used to illustrate certain concepts of the so-called "subtle energy" worlds. The toroidal form figures heavily into the esoteric study of sacred geometry, a meta-science that reveals how shape and form are primary underlying principles of manifestation.

Since ancient times, "seers" have confirmed that the human aura appears as a series of nested spherical torus formations. Modern seers such as Barbara Ann Brennan (Hands of Light) have confirmed that each “chakra” is shaped like a two-ended trumpet, and this is a visualization of where each spherical torus or energy body has its axis. She describes the torus as the perfect shape for a black hole to white hole vortex, and also comments on the gyroscopic properties of this energy form. Ancient seers also went out-of-body and reported their observations of the structure of the CU, often calling it the “World Tree” after their sighting of the main central axis.

For many years esoteric researchers have been searching for the meaning of the Language of Light. Scholars of every school have wondered of this parabolic statement. Is there really such a thing as the Language of Light? The answer seems to be yes. There is contained within the structure of Light such a language. In one of the basic structures of physics, called the Tube Torus there is a study of vortex energy that describes Light and Language in its potential.

The Tube Torus is derived from the basic study of the Flower of Life. By using a simple compass one can create the Flower of life very easily. There are seven basic steps in the composition of the Seed of Life which, if continued to its conclusion, yields the study of the vortex through the Flower of Life.

One of the energy patterns around the body is in the shape of a torus - or donut - with the energy flowing through the body and looping around to connect in at the feet and the head. It is as though we are in the middle position of the donut. The flow in through the head and feet is bidirectional. In other words it flows like the tides one way and then the next. In the matrix of this flow are the wave and particle relationships that structure and govern the nurturing "cosmic" energy from which we are crystallized.

It has even been suggested that the torus can be used to define the workings of consciousness itself. In other words...consciousness has a geometry! The geometric shape used to describe the self-reflexive nature of consciousness is the torus. The torus allows a vortex of energy to form which bends back along itself and re-enters itself. It 'inside-outs' and is continuously flowing back into itself. Thus the energy of a torus is continually refreshing itself, continually influencing itself. Dan Winter suggests with geometric diagrams that the only way self-reflexiveness can continue without breaking down is by using waveforms based on harmonics of the golden section. He claims our very DNA is a helix formed by 2 rotating geometric figures called icosahedrons and dodecahedrons. The torus does seem to be the common denominator, the self-organizing way consciousness is designed.

The torus enables vortexes to be formed. All torii create energy vortexes. Energy can funnel up or down through it; the rotating nature of a torus generates a flow of energy through the torus, depending upon the speed of rotation of the torus and the kind of torus it is (there are 3 kinds of standard torii). An examination of the torus shows that its very construction forms energy funnels, or vortexes.

Mr. Winter and others has also shown how the biophysical manifestations such as the human heart and DNA have toroidal configurations.

The toroidal shape used in harmonic resolution therapy (HRT) is similar to a doughnut but rather than having an empty central "hole", the topology of a torus folds in upon itself and all points along its surface converve together into a zero-dimensional point at the center called the Vertex. This makes it the perfect environment within which to populate the automatous partials that make up the essence of any dynamic function such as a person's vibrational essence. Any input placed at the Vertex while the torus is "torsioned" (folded and rotated inward) is spread out and distributed over the entire surface of the toroid.

The spectral essence matrices produced in the HRT process are gathered up within such a toroidal manifold. A pure, coherent harmonic source is fed through the "portacle" - the modulating filter generated from the individual's voicing - and focused to a zero-dimensional point at the vortex thread (or "origin") of the flowing torus. As the torus rotates and folds through itself - each point passing through the central thread - its framework is populated by the partials of the spectral essence.
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junglelord



Joined: 03 Nov 2008
Posts: 56

PostPosted: Wed Dec 10, 2008 10:41 am    Post subject: Reply with quote

I think the universe is a Dodecahedron.
It could be a Vortex Spiral or a Toroid or a Sphere as well.

_________________
If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.
— Nikola Tesla

Casting Out the Nines from PHI into Indigs reveals the Cosmic Harmonic Code.
— Junglelord.
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Raphael



Joined: 20 Aug 2007
Posts: 1337
Location: SpaceTimeVibration

PostPosted: Wed Dec 10, 2008 8:01 pm    Post subject: Reply with quote

Does the universe exist in an atom as the Dalai Lama, and other spiritual teachers suggest?
The Power of 10 suggests maybe.
http://www.youtube.com/watch?v=BBsOeLcUARw

I think there is a powerful analogy here:

re: Cymatics


In the MACROCOSM audible SOUNDS / frequencies cause visible grains of sand, rice, salt or even spores to alter their direction and form geometric shapes.

In the MICROCOSM or the quantum realm inaudible sounds / frequencies cause not grains of sand but invisible electrons to alter their direction and become positrons...


The simplest explanation is usually the best.
It explains wave / particle duality.
It places SOUND into each and every laboratory that was operating in silence for the past 121 years.

Wonder when the wankers with money will test my theory and try putting low and high sounds into the laboratory with those observers that affect the observation?

namaste

Raphael

_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
-Albert Einstein
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gritzle70



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Posts: 72

PostPosted: Thu Dec 11, 2008 10:24 am    Post subject: Hidden Coherence Reply with quote

I think Drew Hempel offers us some clues about chirality and harmonics.

1) There is a self-sustaining cosmic resonance (hidden coherence) - what he calls alchemical resonance?

2) Natural resonance cycles change over time (based on precession of the equinox?) where there is a switch from carbon to silicone based life?

3) The resonance change between Saturn and Jupiter will have a major effect upon Earth?

4) Aligning the ions of plasma with the ions of matter creates complimentary opposites of energy and mass?

5) Positronium (electron-position coupling) creates mirror matter that passes through black holes?

The Secret of Pre-Established Harmony and the Image of Time
http://www.gnn.tv/threads/5919/soliton_and_freemasonry

Quote:
The ability for the brain to increase synapses through stimulation that combines frequency and amplitude.


Quote:
The brain is actually powered by spirochete proteins — microtubule corkscrews — that can twist right or left directed, even though almost all life on earth is left-directed and carbon based. When the rate of change between frequency and amplitude is close to zero, the secret of quantum chaos science, then a self-sustaining resonance occurs.


Quote:
The secret to solving this LTP conundrum is again alchemical resonance that most efficiently occurs through the yin-yang, sinusoidal (or sine) wave of complimentary opposites.


Quote:
This secret is why the Tesla Coil only uses sine waves or harmonic waves; and quantum chaos already acknowledges that the sine wave creates a “hidden coherence” that bends spacetime


Quote:
As Dr. Brian Goodwin states, “subharmonic oscillation always shows a considerable increase in amplitude over that of the fundamental.” (“Temporal Organization in Cells,” 1963)


Quote:
Over millions of years there is a natural resonance cycle where the left-directed carbon-based molecules on earth reverse with the right-direct quantum chaos silica molecules of outerspace — this is the definition of racemization.


Quote:
Quantum chaos has discovered that Saturn (Time) and Jupiter (Space), over tens of millions of years, resonate at 2:5 orbit in the same plane, launching asteroids that resonate at 2:3 at planet Earth. This 3 dimensional spacetime resonance of Saturn and Jupiter caused the global destruction at 65 million years ago. 3-dimensional space is actually the 4:5 resonance between Saturn and Jupiter or between the tetrahedron water molecules.


Quote:
When the pineal gland of the reptilian brain resonates into quantum chaos superconductive holography then the bifocal 3-dimensional dependence of humans is overcome and the image of eternity is achieved.


Quote:
Water is the pivot point of racemization between silica and carbon. Water is a quasicrystal that has a stable tetrahedron structure based on Freemasonic geometry enabling achievement of the secret of quantum chaos — “stronger amplitude at a lower frequency.”


Quote:
Marsilo Ficino passed on this Freemasonic secret when he divulged that the tetrahedron is really composed of equilateral triangles that themselves are two 3:4:5 Pythagorean triangles, resonating at the complimentary opposites of the Perfect Fourth and Major Third music interval.


Quote:
Superconductive quantum chaos is based on aligning the ions of plasma, the most common state of reality in the universe, with the ions of matter — this is the diffraction gradient which is equally spaced but also creates complimentary opposites of energy and mass.


Quote:
The soliton is the quantum chaos sine wave that achieves antigravity and is therefore literally the image of eternity referred to by Plato.


Quote:
The Freemasonic alchemy goal is to transform the whole planet earth into a faster-than-light soliton utilizing positronium (electron-position coupling) to create “mirror matter” that passes through black holes. Electrons can store infinite information as ones and zeros inside their antimatter black holes — positrons.
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Raphael



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PostPosted: Thu Dec 11, 2008 1:40 pm    Post subject: Reply with quote

Ah I love the sight of glistening morning drew, hemp sitting on the graSS...
Took some clippings, will have a smoke later...and inhale some of the drew...

namaste

Ra

_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
-Albert Einstein
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junglelord



Joined: 03 Nov 2008
Posts: 56

PostPosted: Thu Dec 11, 2008 6:00 pm    Post subject: Reply with quote

Ah the Green Genie.
Very Happy

_________________
If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.
— Nikola Tesla

Casting Out the Nines from PHI into Indigs reveals the Cosmic Harmonic Code.
— Junglelord.
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gritzle70



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Posts: 72

PostPosted: Thu Dec 11, 2008 9:11 pm    Post subject: Free Energy, Gravity and the Aether Reply with quote

Ha Ha, Ra Ra, you're funny!

(There's also some interesting information on Tibetan acoustic levitation.)

Free Energy, Gravity and the Aether
http://www.keelynet.com/davidson/npap1.htm

Quote:
My research and discoveries have led me to characterize the aether as follows:

1. A superfluidic particulate medium which pervades all space.

2. A medium, which in its various modes, is the building block of the physical universe.

3. A medium, which, in one of its modes, is responsible for gravity and inertia.

4. A medium which is controllable by our mind and can be manipulated by our thoughts.

5. A medium which can be controlled by geometric shapes.

Charge:

The charge of matter is due to its interchange with aether. Electron, as well as the other subatomic particles, are basically self-sustaining vortices in a fluidic particulate aether.

Charge represents a difference in concentration of the aether between two points. Mass (i.e., atomic particles) is made of aether; aether continually flows into and out of the particles as vortices, and the charge is due to its being at a different concentration of aether at a point in time and space than the local aether concentration.

The electron is a vortex of aether caught in a rotating standing wave due to the vibrating flow of aether which flows into and out of the atom's nucleus.

Atomic Structure:

Atomic structure builds according to the rules of geometry and the basic polarity of atomic particles. Polarities are the result of aetheric flows into and out of matter.

John Ernst Worrel Keely discovered the substructure of the proton, which was a vortex made of three sub-nuclear particles, also vortexes. He discovered that this three particle substructure continued down to smaller and smaller level of particles within each particle. Keely claimed to have learned to control the substructure 27 levels down from the basic proton.

Gravity:

The gravitation constant as grad E correlates with the seminal work by T. Townsend Brown. Brown discovered that a capacitor will tend to move in the direction of the positive plate. Apparent weight loss results when the plates are perpendicular to the local gravity gradient. This effect can be enhanced by making one plate much smaller than the other plate. This essentially forces the grad E to maximize.

It should be noted that grad E is independent of whether the field is AC or DC. Experiments have shown that even with this enhancement the capacitor does not have all its apparent weight nullified and levitate.

The reason for this can be found again in the nuclear particle's relationship with the aether. Even though each atom is in constant resonance with the aether, this resonance is not synchronized across the mass. There is a random interchange with the aether with respect to all the nuclei.

Thus, when a grad E acts as an aether pump across the capacitor plates only a small portion of the atoms become synchronized to this aetheric flow so the entire mass does not respond at the same time; therefore, all the atoms don't try and move at the same time.

Synchronization of the nuclei with the aether has been achieved by two main methods; namely, rotation or movement and sonically.

Analysis of the phenomenon of inertia provides the major clue to how rotation could act to synchronize the flow of aether into the nuclear sub-structure of the gravitors.

Keely stated, in 1896, that inertia was a result of the resistance of mass to the local aetheric field. Hence, it is easy to see that movement/rotation could cause the aetheric flows of the mass to reorient with respect to the direction of movement.

Sonic stimulation performs the same thing by getting all the atoms of the mass to resonate together which synchronizes aetheric flows into the nucleus. Several interesting levitation effects have been observed where sonic stimulation assisted in the levitation.

The basic principle of the gravity detector is the fact that the electronic charge structure of a given mass is a function of the amount of aether flowing into the mass. The charge around the atom is governed by the amount of aether flowing into and out of the mass.

My reasoning was that dielectrics would make the best aetheric flow detector.

The data was taken during a solar eclipse and shows the effect of local aetheric field stress dropping during the period of the eclipse.

During the course of a 24 hour period the sun, moon, planets as well as the stars put differing stress levels on the earth's aetheric field which directly affects the flow rate into the nucleus.

What seems to be happening is the earth moves through energy conduits which go from our sun to other planets and star systems. When the gravity wheel experiment crosses one of these energy conduits, the forcefield around the copper triangles intensifies to the extent that the bubble starts moving either toward the conduit or away from the conduit very rapidly and a scale upset occurs
.
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gritzle70



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PostPosted: Sat Dec 13, 2008 9:47 am    Post subject: Against Archytas Reply with quote

Quote:
Against Archytas: How the West Lost Alchemy or Paranormal Complimentary Opposite Harmonics
http://www.mind-energy.net/archives/264-Against-Archytas-How-the-West-Lost-Alchemy-or-Paranormal-Complimentary-Opposite-Harmonics.html

The early Greek mathematics used the 60-based number system of Babylon from which Archytas, a collaborator with Plato, received the harmonic tetrachord or the continued proportion 6:8::9:12. This tetrachord creates a geometric mean between the octave, perfect fourth and perfect fifth music intervals, or 1:2:3:4, through “divide and average” logarithmic-based mathematics. So 6:8 and 9:12 are in the continued proportion 3:4, the perfect fourth music interval, while 6:9 and 8:12 are 2:3, the perfect fifth music interval, and 6:12 is 1:2, the octave. The geometric mean is A:B::B:C or B squared = AC or the square root of AC = B. What Archytas added to this Babylon “divide and average” harmonic mathematics was the concept of the Greek “incommensurable” – the algebraic axiomatic proof of “alogon” or a precise irrational number, the square root of two. This process ushered in what’s called “The Greek Miracle” that continues to be the structure of science: symmetry-based mathematics.

Instead of the above system, the alchemical Pythagorean Tetrad relies on complimentary opposite harmonics so that an equilateral triangle of geometric points equals the continued proportion 1:2:3:4 as the octave, perfect fifth and perfect fourth music intervals. In “orthodox” Pythagorean harmonics this was known as the “subcontrary mean” whereby the complimentary opposites of the Tetrad were maintained in violation of “divide and average” mathematics. So for the Tetrad A:B is 2:3 and B:A is 3:4 against the commutative property, A x B = B x A. In music theory this complimentary opposite inversion of the perfect fifth and perfect fourth is taught as 2:3 is C to G while 3:4 is G to C. This process of complimentary opposites is listened to, as the perfect fifth, perfect fourth harmonics, which create all the notes. Most importantly the complimentary opposite harmonics transduces sound throughout the whole energy spectrum, as I’ve described in previous articles.

Philolaus, one of the early Pythagorean writers, detailed that this “subcontrary mean” or complimentary opposite harmonic caused any attempt at subdividing the scale into symmetry as a failure. In contrast Archytas changed the “subcontrary” complimentary opposite mean into the “harmonic mean” using “divide and average” mathematics. The outcome has precisely opposite the meaning of “harmony” which for Pythagoreans referred to the paranormal source of sound as the Goddess Harmonia or what I call female formless awareness. For Philolaus the perfect fifth as 2:3 could be inverted to 3:2 and then extended another fifth to 9:4 and then divided back into the octave, below 2, for the major second interval of 9:8 or C to D. Yet 9:8 cubed or three major second music intervals equaled the 3:2 perfect fifth music interval, plus a tiny ratio called “the comma of Pythagoras.”

This “comma of Pythagoras” is the difference between the “divide and average” octave system adopted by Archytas and the complimentary opposite fifths inverting into fourths, used by the orthodox Pythagoreans. The “comma of Pythagoras” is the key to harmonic alchemy whereby 2:3, the perfect fifth, is yang in Taoism and 3:4, the perfect fourth, is yin. As Gurdjieff desribes the “shock” of the diatonic scale, whereby the “inverse ratios” do not line up with the octaves, is intensified as the octaves expand. In contrast Archytas argued that 9/8 cubed or three major second intervals equals the square root of two as the Greek Miracle, the axiomatic algebra of the precise incommensurable irrational number. What Archtyas essentially did, as I’ll describe, is equate the perfect 5th or 2:3 with the perfect 4th or 3:4 as equally-divided or symmetric ratios through a “divide and average” mathematics.

Archytas took the Babylonian geometric mean of 6:8::9:12 used for harmonics and then applied the Pythagorean Tetrad 1:2:3:4 so that the 2:3 ratio of complimetary opposite frequency was converted to 3:2 as a materialistic vibrating string length. This became known as the Law of Pythagoras even though it goes against the true meaning of the complimentary opposites when this “inverse ratio” is combined with the “divide and average” commutative property. Gurdjieff, for example, still relies on the “inverse ratio” of density or string length versus frequency or consciousness. But Gurdjieff does not use Archytas’ “divide and average” symmetric-based mathematics, instead Gurdjieff relies on the Law of Three aka the Tetrad, or octave-fifth-fourth, to resonate through the comma of Pythagoras as the “shocks” of alchemy. In Taoism this system of alchemical shocks is taught as the 12 harmonic nodes along the outside of the body, enabling healing and paranormal energy, an exercise called “the small universe.”

The equation used by Archtyas, from Babylon, was arthimetic mean times harmonic mean = geometric mean squared. For the Pythagorean Tetrad this means if A = 1 and C = 2, the octave, then B = 3/2 for the arithmetic mean (A + C divided by 2) and B = 4/3 for the harmonic mean or 2(AC) divided by A + C. Meanwhile B = the square root of two for the geometric mean or the arithmetic mean times the harmonic mean equals the geometric mean squared (3/2×4/3 = 2).

The error that Archytas makes is ignoring the “comma of Pythagoras” arising from complimentary opposites harmonics so that the square root of two is equated with 3/2 through the “divide and average” converging sequence. The square root of two is greater then one and less than two which can be solved through the “divide and average” geometric-based continued fraction series of (1 + a)squared = 1 + 2a + a squared. 2a + a squared = 1. Or a(2 + a)=1. Therefore a = 1 divided by 2 + a. Then just keep replacing “a” with “1 divided by 2 + a” for an infinite series that converges as the square root of two. The first iteration is 1 + 1/2 or the approximate series solution, 3/2 = the square root of two.

It needs to be emphasized that the square root of two is actually a “transcendental” number although this is only acknowledged in number theory and not in standard math. There is no positive proof demonstrating that the hypotenuse of the 1-1 triangle equals the algebraic symbol the square root of two since there’s no algebric equation demonstrating the square root of two, only an infinite algebraic series that is not a closed set. Most people just learn the geometric proof for the square root of two, demonstrating a “proof by contradiction,” which simply states that the ratios are not rational, but it does not consider other options for the ratios, especially the case of diverging complimentary opposite harmonics.

In contrast music theory, based on logical inference, uses listening to complimentary opposites, 1:2:3:4, as proof that the foundation of reality is female consciousness with the male number 1 as an infinite resonance creating an octave, 1/2, that expands in frequency through the perfect fifth or 2:3 or yang, inverting to the perfect fourth or 3:4 as yin. In western music theory this is taught as the “circle of fifths” so that the perfect fifth or 2:3 starts with C to G then continues to finish the octave C through the 12 notes of the scale. C-G-D-A-E-B-F#-C#-G#-D#-A#-F-C. This return back to “C” again ignores the empirical fact that the perfect fifth overtone inverts into the perfect fourth interval – through complimentary opposites, a dynamic that can be heard in music. So if you have a string marked into 1/2, 1, 3/2 and 2, a node at 3/2 actually is 3/4 of the string. Or you could start the string with zero, and again a node at 2/3 is 3/4 of the string. Similarly a node at 3/4 is 2/3 of the string. What’s important is the yin-yang dynamic of this complimentary opposite harmonic thereby creating alchemy.

In other words there’s a complimentary opposite between the nodes and the numbers which can be heard as harmonious. For this reason that musical “inverse induction” extension of the perfect fifths does not line up with the extension of the octaves and this difference is called the “comma of Pythagoras.” In Nature there is no “circle of fifths,” but rather an infinite spiral of energy transduction that starts and ends with the male number one resonating as a complimentary opposite into female formless awareness and then resonating out as the perfect fifth harmonic which inverts as the perfect fourth to pull back to one and then, through its complimentary opposite – female formless awareness. This process continues as resonance overtones, just as Dennis Gabor’s Quantum Time-Frequency Uncertainty Principle describes: As the time gets less the frequency spreads across the whole energy spectrum. It’s no accident that in quantum mechanics the commutative property is also violated with momentum times position not equaling position times momentum – only in science this is converted back into symmetric-based math using logarithms. Quantum physicist Henry P. Stapp makes this paradox of Number and Order central to the mystery of consciousness in quantum mechanics.

I discovered that Archytas’ proof for precisely doubling the cube, his most famous equation, relies on this secret harmonic conversion of ratios into irrationals. Up until now, only a geometric magnitude proof is given for doubling the cube so that A:X::Y:2A refers to X being the side length of the cube that needs to be doubled while the volume as 2A needs to be cubed with the geometric mean equation as 1:2::4:8. The original side length equation is 1:cube root of two::cube root of four:2. In fact these geometric mean ratios are from music harmonics as the major third and its inverse, the minor sixth or Golden Ratio, giving 1:5/4::8/5:2. None of the mathematicians have been able to make this connection to Archytas’ conversion of the 2:3, perfect fifth music interval, for this “doubling the cube” proof that creates the Greek Miracle – an axiom for an irrational number. David Fowler’s Mathematics of Plato’s Academy book certainly acknowledges the mystery of the music ratios origin for Archtyas’ doubling the cube proof. Other mathematicians, like Professor Luigi Borzacchini, with whom I’ve corresponded, have certainly pondered the math-music incommensurability issue.

An easier way to understand this is described on this physics website: http://hypertextbook.com/physics/waves/music/

In orthodox Pythagoreanism this use of an attempt to equal-temper the scale into 12 fifths, using the 9/8 ratio as the geometric mean, would not have been allowed since it enables setting up a quadratic equation based on the commutative property and the Pythagorean Theorem. A square x B squared = C squared was always averaged in other mathematic systems but now it could be combined with zero to create a geometric convergence as an irrational number – the Greek Miracle based on a deep disharmony. The complimentary opposite harmonics which naturally resonate as yin-yang dynamics have now been destroyed. Even supersymmetry is just an extension of what Professor Oliver Reiser called “the music logarithmic spiral” so that mass squared is inversely proportional to energy frequency distance, as detailed by physics professor Gordon Kane.

There is no pure science. Archytas’ “doubling the of cube” miracle was used for catapult technololgy while Newton’s “inverse square law” from Archytas’ geometric mean analysis has been the key for all projectile military technology just as Galileo’s Pythaogorean math was used for cannons.

What enabled Archytas to ignore the “comma of Pythagoras” which in alchemy creates an infinite resonance of energy through complimentary opposites was the vast difference of error between the Golden Ratio, the slowest converging irrational number and the square root of two series. So that the inversion of 5:8 into 8:5 for both string length use (instead of frequency) and for use of the quadratic zero, geometric convergence, does not greatly affect the harmonic series accuracy. Its inverse is the conversion of 5/4 or 10/8 into the cube root of two. This is the true secret of the Greek Miracle – combining the Brahmin cipher system of the commutative property, using zero, with Babylon’s equation of the arithmetic mean times harmonic mean equaling the geometric mean squared. Eudoxus simply extended Archtyas’ use of the harmonic mean so that it could be applied as the Golden Ratio mean. As the book Excursions into Number Theory notes: “For instance, 99/70, the sixth convergent of square root of two, differs from square root of two by .000072; but 13/8, the sixth convergence of the Golden Ratio, differs from the Golden Ratio by .0070, showing an error nearly 100 times as large.”
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gritzle70



Joined: 27 Sep 2006
Posts: 72

PostPosted: Sat Dec 13, 2008 10:57 am    Post subject: Non-Duality Reply with quote

Harmonic minor scale
http://www.nationmaster.com/encyclopedia/Harmonic-minor-scale

The Rotten Root
http://www.nonduality.com/whatis8.htm

Quote:
Whether it's the Dalai Lama or, Hanne Strong, one of the organizers of the UN Conference on Environment and Development (the Earth Summit) or, Charles Mills, author of The Racial Contract -- there can be found a focus on one common underlying problem for all levels of oppression. For theorists it is described as an inaccurate "naturalized" hierarchy: There is a repression of the self, a projection of that repression on to others -- call it an externality or a prejudice -- and then the denial of others' rights as justified through that projection. In the history of the West, this Self/Other oppressive dynamic has been traced back to Plato and Aristotle by their concept of dualistic, materialistic and rationalistic "natural law." Thus as people were labeled subhumans, natural slaves, and savages, they, along with the Muses, were devalued (i.e. destructively controlled and killed through indoctrination, slavery, disease, starvation, and organized slaughter) and an elite linear, imperial "utopia" was envisioned -- this is the beginning, the root concept, of western culture. From that primary definitive vision of the West, this root crisis has become globally encompassing today: The Great Chain of Being, the witchhunts, the enclosure acts, the papal decree of "territorius nullius," Manifest Destiny, the "natural" efficiency of the homo economicus, corporate personhood, and the World Trade Organization.

As Kingsley and others have documented Pythagoras was a powerful healer who knew of his past lives, and had the power to experience life after death. Not only was he a spiritual leader, similar to Jesus Christ, but he taught a system for realizing this knowledge -- the same essential system as the laws and practices of the Buddha, those contained in the ancient Vedas of Hinduism or those found in the hundreds of endangered indigenous shaman practices found worldwide. Through extensive research and my broad background in music theory, philosophy, and global development policy, I have reconstructed the scientific harmonic principles of the teachings of Pythagoras. These principles are the basis for understanding transcendent dialectical mind-body dynamics, group social power dynamics, and the transcendent dialectical means for analyzing and organizing technology and social institutions.

The systems that Loy investigates reveal a transcendent means of knowledge derived from principles of organization that are accessible to all of humanity.

1) The whole universe comes from the void or absolute nothingness that is the original form of universal energy. Total Emptiness equals Total Energy this is ONENESS/NOTHINGNESS (nondualism).

2) This Universal Energy (nondualism) divides into connected harmonic principles of organization. Complimentary opposites, through their mutually excluding logical extremes, reveal their common underlying transcendent ONENESS/NOTHINGNESS and evolve into (and evolve via) this third transcendent truth-state.

3) From this Third transcendent state All Myriad Things of the Universe are further formed (i.e. modeled by the synthesis or the third stage of the complimentary opposites). All these myriad things/processes or forces are derived from the first FIVE SYNTHETIC SETS OF HARMONIC COMPLEMENTARY OPPOSITES (These five sets or categories are grouped by matching elements, directions, color, frequency, animal, planet, etc. and all five are direct manifestations of ONENESS/NOTHINGNESS).

4) DIRECT KNOWLEDGE OR IMMEDIATE AWARENESS OF THE UNIVERSE -- NONDUALISM (beyond the first five perceptible senses and the first four perceptible dimensions) IS POSSIBLE BY MEANS OF HARMONIZING OR RESONATING WITH THE SYSTEM OF CONNECTED BASIC COMPLIMENTARY OPPOSITES. THIS KNOWLEDGE -- ENERGY IS POTENTIALLY OMNIPOTENT, OMNISCIENT and at the least is required for understanding how to achieve PERSONAL HEALTH and HAPPINESS and POSITIVE PERSONAL RELATIONS.
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junglelord



Joined: 03 Nov 2008
Posts: 56

PostPosted: Sat Dec 13, 2008 11:07 am    Post subject: Reply with quote

Indeed the information can be downloaded instantly without study.
The choice of food, amount of food, fasting, can lead to instant knowledge.
Thats why I believe that the latent power exist in everyone to awake.
However most are asleep with gluttony.


I have been fasting for a year.
Sometimes its impossible to even bother to try to shut it down.
I mean I get downloads constantly in the last four weeks.
There is something fast and furious happening.
At least to me there is.
Shocked

_________________
If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.
— Nikola Tesla

Casting Out the Nines from PHI into Indigs reveals the Cosmic Harmonic Code.
— Junglelord.
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