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gritzle70



Joined: 27 Sep 2006
Posts: 72

PostPosted: Mon Dec 08, 2008 10:10 am    Post subject: Sacred Geometry - does it matter Reply with quote

NATURE KNOWS

THE ANCIENTS KNEW

THE VATICAN KNOWS

THE KABALISTS KNOW

THE SUFIS KNOW

THE THEOSOPHISTS KNOW

THE FREE MASONS KNOW

LEONARDO DA VINCE KNEW

ZEISING & LE CORBUSIER KNEW

THE SHEEPLE PEOPLE KNOW NOT

So why do all religious alters use sacred geometric forms? Is the Vatican an energy zombie?

Sacred Geometry
http://www.integrativehealthcare.net/html/sacred_geometry.php

Sacred Geometry is the blueprint of Creation and the genesis of all form. It is an ancient science that explores and explains the energy patterns that create and unify all things and reveals the precise way that the energy of Creation organizes itself. On every scale, every natural pattern of growth or movement conforms inevitably to one or more geometric shapes.


Last edited by gritzle70 on Mon Dec 08, 2008 11:14 am; edited 1 time in total
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gritzle70



Joined: 27 Sep 2006
Posts: 72

PostPosted: Mon Dec 08, 2008 11:00 am    Post subject: The Secrets of the Aether and the Power of Sound Reply with quote

The power of the aether manifests itself only through sacred geometric forms. He who understands the frequencies (harmonics) knows how to use vibrations to alter the crystal lattice structure of matter at the sub-atomic level.

He who controls the secrets of the aether, controls the life force.

Sacred Geometry
http://www.integrativehealthcare.net/html/sacred_geometry.php

Sacred Geometry is the blueprint of Creation and the genesis of all form. It is an ancient science that explores and explains the energy patterns that create and unify all things and reveals the precise way that the energy of Creation organizes itself. On every scale, every natural pattern of growth or movement conforms inevitably to one or more geometric shapes.

As you enter the world of Sacred Geometry you begin to see as never before the wonderfully patterned beauty of Creation. The molecules of our DNA, the cornea of our eye, snow flakes, pine cones, flower petals, diamond crystals, the branching of trees, a nautilus shell, the star we spin around, the galaxy we spiral within, the air we breathe, and all life forms as we know them emerge out of timeless geometric codes. Viewing and contemplating these codes allow us to gaze directly at the lines on the face of deep wisdom and offers up a glimpse into the inner workings of the Universal Mind and the Universe itself.

THE GREEKS KNEW

Pythagoras (560-480 BC), the Greek geometer, was especially interested in the Golden Section, and proved that it was the basis for the proportions of the human figure. He showed that the human body is built with each part in a definite Golden Proportion (Golden Mean) to all the other parts. Pythagoras' discoveries of the proportions of the human figure had a tremendous effect on Greek art. Every part of their major buildings, down to the smallest detail of decoration, was constructed upon this proportion.

The Platonic Solids

Platonic Solids are perfectly regular solids with the following conditions: all sides are equal and all angles are the same and all faces are identical. In each corner of such a solid the same number of surfaces collides. The Platonic solids feature prominently in the philosophy of Plato for whom they are named. They are the only five regular convex solids that can accurately be circumscribed by a sphere. Only five Platonic solids exist: tetrahedron, hexahedron, octahedron, dodecahedron and icosahedron.

Fibonacci sequences appear in biological settings, such as branching in trees, the spiral of shells, the curve of waves, the fruitlets of a pineapple, an uncurling fern and the arrangement of a pine cone. As the Fibonacci sequences progresses it approximates the Golden Mean.

Why does Phi appear in plants?

The answer seems to be, at least in some cases, evolution: survival of the fittest. The geometrical structures that contain the number Phi = 1.618034 are usually the best structures in terms of “use of available space”, therefore plants and animals have evolved to have that kind of structures in their bodies.

Why does Phi appear in humans?

Humans are also the consequence of the Golden Mean, from the Heavens to the DNA, from the Sonic Resonance of the Earth to the Alphabet of the Heart, from the Brain Wave Coherence, the Heart/Brain Sonic Resonance and the Encoded Heart Intelligence to the Wave Shape of Emotion.

HEART GEOMETRY

Current research at the Institute shows a possible link between coherent cardiac electricities and DNA programming. The output of the EKG machine is fed into a spectrum analyzer which shows the frequency content of the heart beat.

The Sacred Geometry of all Life Forms:

Crystal Lattice Structure
http://cst-www.nrl.navy.mil/lattice/

Crystallography and Minerals Arranged by Crystal Form
http://webmineral.com/crystall.shtml

Crystal Groups and Classes - Crystallography groups are composed of 32 classes of symmetry derived from observations of the external crystal form.

Study of Crystals
http://synchrotron.com.au/files/documents/10.study_crystals.pdf

Piezoelectricity
http://www.wisegeek.com/what-is-piezoelectricity.htm

Piezoelectricity is a form of electricity created when certain crystals are bent or otherwise deformed. These same crystals can also be made to bend slightly when a small current is run through them, encouraging their use in instruments for which great degrees of mechanical control are necessary. This is called converse piezoelectricity. For example, scanning tunneling microscopes (STMs) use piezoelectric crystals to “scan” the surface of a material and create images of great detail. Piezoelectricity is related to pyroelectricity, in which a current is created by heating or cooling the crystal.

Piezoelectric Materials
http://www.piezomaterials.com/

The piezoelectric effect occurs only in non conductive materials. Piezoelectric materials can be divided in 2 main groups: crystals and cermaics. The most well-known piezoelectric material is quartz (SiO2).

Piezoelectric Effect
http://hyperphysics.phy-astr.gsu.edu/Hbase/Solids/piezo.html

Crystals which acquire a charge when compressed, twisted or distorted are said to be piezoelectric. This provides a convenient transducer effect between electrical and mechanical oscillations. Quartz demonstrates this property and is extremely stable. Quartz crystals are used for watch crystals and for precise frequency reference crystals for radio transmitters.

Electronic structure of DNA revealed for 1st time by Hebrew University and collaborating researchers
http://www.eurekalert.org/pub_releases/2008-02/thuo-eso022808.php

Jerusalem, February 28, 2008 – Utilizing a technique that combines low temperature measurements and theoretical calculations, Hebrew University of Jerusalem scientists and others have revealed for the first time the electronic structure of single DNA molecules.
The knowledge of the electronic properties of DNA is an important issue in many scientific areas from biochemistry to nanotechnology -- for example in the study of DNA damage by ultraviolet radiation that may cause the generation of free radicals and genetic mutations. In those cases, DNA repair occurs spontaneously via an electronic charge transfer along the DNA helix that restores the damaged molecular bonds.

In nano-bioelectronics, which is the advanced research field devoted to the study of biological molecules (to produce electrical nanocircuits, for example), it has been suggested that DNA, or its derivatives, may become used as possible conducting molecular wires in the realization of molecular computing networks which are smaller and more efficient than those produced today with silicon technology.

The knowledge that has been acquired in this project, say the researchers, may also be relevant for current attempts to develop new sophisticated, reliable, faster and cheaper ways to decode the sequence of human DNA.

The research, published in the prestigious journal Nature Materials, is a result of an international collaboration. The research was conducted by Errez Shapir and coordinated by Dr. Danny Porath at the Department of Physical Chemistry and Center for Nanoscience and Nanotechnology at the Hebrew University and by Dr. Rosa Di Felice at the S3 Center of INFM-CNR in Modena, Italy. Also collaborating in the project were Prof. Alexander Kotlyar at Tel Aviv University, who synthesized the molecules, the CINECA supercomputing center in Italy, and Prof. Gianaurelio Cuniberti at the University of Regensburg, Germany.

In their work, the researchers were able to decode the electronic structure of DNA and to understand how the electrons distribute into the various parts of the double helix, a result that has been pursued by scientists for many years, but was previously hindered by technical problems.

The success of this project was finally achieved thanks to collaboration between experimental and theoretical scientists who worked with long and homogeneous DNA molecules at minus 195 degrees Celsius, using a scanning tunneling microscope (STM) to measure the current that passes across a molecule deposited on a gold substrate. Then, by means of theoretical calculations based on the solution of quantum equations, the electronic structure of DNA corresponding to the measured current has been obtained. These results also suggest an identification of the parts of the double helix that contribute to the charge flow along the molecule.

Electrogenetics: Biological Liquid Crystal Theory
http://www.electrogenetics.net/Biological_Liquid_Crystal_Theory_I.html

Recently, I demonstrated in the electrochemical literature that there is direct physical-chemical interaction between the liquid crystal states of important biological substances. Among these substances are DNA, and the blood protein prothrombin. These interactions are long range forces using frequency dependent aspects of magnetic field energy. This is the tip of the iceberg, but it is enough to introduce the mechanism by which large molecules of the body exchange energy and signals.

These large molecules or polymers have crystal-like structure and behavious, even as they exist dissolved in water. This state, called liquid crystal or mesophase, is comprised of uniform subunit structures comparable to any crystal. These subunit structures are also arranged in a uniform geometry comparable to a crystal, but with curved arrays in addition to angular arrangements. In conventional crystals used as computer oscillators, the stimulated signal behavior is called piezoelectric. In liquid crystals, the energy stimulated emission of signals is called flexoelectric.

Piezoelectricity of chiral nematic elastomers
http://www.springerlink.com/content/7r444t9l61x6d7p6/

A molecular model of freely jointed chains of chiral monomers is developed to describe the piezoelectric effect in chiral nematic elastomers. The model, an extension of the neo-classical theory of nematic polymer networks, takes into account a chiral biasing of molecular alignment under shear which leads to induced polarisation if the monomers contain a transverse dipole moment. The resulting theory is fully non-linear in elastic deformations, in the spirit of ordinary rubber elasticity. The expansion to the highest order in small strains gives the three linear piezoelectric coefficients predicted by phenomenological models.

Acoustic Wave Sensor
http://www.freshpatents.com/Acoustic-wave-sensor-dt20081127ptan20080291784.php

In an acoustic wave sensor for detecting a distance to an object and an orientation where the object is located with using acoustic waves, an acoustic wave generating device generating an acoustic wave by applying thermal impact to the air with no mechanical vibration is used as a wave transmitting device, and an electric capacitance microphone converting variation of pressure due to acoustic wave to variation of an electric signal is used as each wave receiving device. Therefore, dead zone caused by reverberation component included in the acoustic wave transmitted from the wave transmitting device and dead zone caused by reverberation component included in wave receiving signals outputted from the wave receiving devices can be shortened and angular sensitivity of the acoustic wave sensor can be increased, in comparison with a conventional acoustic wave sensor using piezoelectric devices as the wave transmitting device and the wave receiving devices.

Method and apparatus for the exploitation of piezoelectric and other effects in carbon-based life forms
http://www.freshpatents.com/Method-and-apparatus-for-the-exploitation-of-piezoelectric-and-other-effects-in-carbon-based-life-forms-dt20071108ptan20070258329.php?type=description

Piezoelectricity is the ability of certain crystals to produce a voltage when subjected to mechanical stress. The word is derived from the Greek piezein, which means to squeeze or press. The effect is reversible; piezoelectric crystals, subject to an externally applied voltage, can change shape by a small amount. The effect is of the order of nanometres, but nevertheless finds useful applications such as the production and detection of sound, generation of high voltages, electronic frequency generation, and ultrafine focusing of optical assemblies.

Harmonics are often also referred to as overtones, but the precise definition of `overtone` for the purpose of this application, refers to a particular partial in the timbre. For example, an instrument could contain 3 overtones--say . . . harmonics 1, 2, 5 and 8. Harmonic 1 is the fundamental so this doesn't count. Harmonic 2 is overtone 1, harmonic 5 is overtone 2, and 8 is the third overtone.

In order to demonstrate how the inventor exploits the use of phi ratios and related recursive or self-similar phenomena that may not, in and of themselves, result in exact mathematical phi, but rather, represent the minimum entropy of a fractal system, striking the balance between maximum order and flexible variation, that may contribute to an improved putting technique via enhanced feedback associated with improved learning, memory, mental states and how they, in turn, feed back onto improved putting technique based partially on holographic theory, he directs the examiner's attention to an overview of quantum physical and fractal phenomena as they relate to, and connect with, the ideas of self-organizing structures, learning theory, piezoelectric signaling and resultant biological phenomena to the extent they inform this invention.

In nature, we find geometric patterns, designs and structures from the most minuscule particles, to expressions of life discernible by human eyes, to the greater cosmos. These inevitably follow geometrical archetypes, which reveal to us the nature of each form and its vibrational resonances. They are also symbolic of the underlying metaphysical principle of the inseparable relationship of the part to the whole. It is this principle of oneness underlying all geometry that permeates the architecture of all form in its myriad diversity.

Life itself as we know it is inextricably interwoven with geometric forms, from the angles of atomic bonds in the molecules of the amino acids, to the helical spirals of DNA, to the spherical prototype of the cell, to the first few cells of an organism which assume vesical, tetrahedral, and star (double) tetrahedral forms prior to the diversification of tissues for different physiological functions. Our human bodies on this planet all developed with a common geometric progression from one to two to four to eight primal cells and beyond.

This spiral generated by a recursive nest of Golden Triangles (triangles with relative side lengths of 1, phi and phi) is the classic shape of the Chambered Nautilus shell. The creature building this shell uses the same proportions for each expanded chamber that is added; growth follows a law, which is everywhere, the same.

Method and apparatus for the exploitation of piezoelectric and other effects in carbon-based life forms
http://www.freepatentsonline.com/y2007/0258329.html

The invention promotes piezoelectric effects in carbon-based life forms using specific geometries, ratios, frequencies and combinations therein using associated vibrational states functioning in part, as bi-directional holographic transducers between the acoustic and electromagnetic domains.
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junglelord



Joined: 03 Nov 2008
Posts: 56

PostPosted: Mon Dec 08, 2008 11:16 am    Post subject: Reply with quote

Hey Raphael
Aliens is a improper term.
I believe that 3 things are occuring.
ET Visits.
Interdimensional Visits.
Man made lookalikes.
Man may be doing staged abductions.
However Abductions are both DMT experinece and real.
I am not sure you can seperate the two.
Here and there both being real (Earth - Heaven).
However I do believe they abduct here physically and via DMT the astral body.

Thats my offer to the mind to dwell on.

There is more afoot then most imagine, or I am wrong on this hunch.
I think the curx of it all is that all three will come together,
and maybe that is 2012.

I was not a 2012 guy until a few days ago.
Just have a funny feeling of total been here done that.
Very heavy impression its a replay.

I tend not to believe in time travel.
On the TT Brown forum, it has been tossed out there.
I had seen a convergence based on this and the Philadelpia Experiment,
which it seems was Tesla Technology and TT Brown Intelligence.
Thats really out there, but I wonder....

_________________
If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.
— Nikola Tesla

Casting Out the Nines from PHI into Indigs reveals the Cosmic Harmonic Code.
— Junglelord.
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gritzle70



Joined: 27 Sep 2006
Posts: 72

PostPosted: Mon Dec 08, 2008 9:37 pm    Post subject: Function Creates Structure Reply with quote

I suggest that vibration produces the universal movement symbolized by the swastika. Vibration is the causative force (the process) acting in the aether that allows for the formation of matter. Function (vibration) creates structure (matter).

Types of Waves
http://www.kettering.edu/~drussell/Demos/waves/wavemotion.html

Acoustics and Vibration Animations
http://www.kettering.edu/~drussell/demos.html

Phases of a Wave
http://www.svpvril.com/Fig_4.html

This image reflects a more comprehensive view of a wave form and its four phases. The Positive-Positive radiates away from the Neutral Line. The Positive-Negative is on the positive side but reassociates to the Neutral. The Negative-Positive radiates away from the Neutral Line and the Negative-Negative reassociates to the Neutral. The Positive expands outward while the Negative contracts towards the center.

Vibration as Pendulum Swing
http://www.svpvril.com/Fig_3.1.html

According to the more accurate definition of a vibration what we consider as one vibration is really two which are mirror images of each other. One is positive or male (Positive-Positive and Positive-Negative) while the other is negative or female (Negative-Positive and Negative-Negative).

A pendulum swings to and fro. On the left side is the Negative phase with the Positive phase on the right. When swinging to the right the action is expanding to the Positive. So the motion is a Positive-Positive one. After reaching the full extent of its swing it begins to collapse back to the Neutral line. This is a negative motion (to the center) so it is a Positive-Negative phase. Just the opposite occurs on the left and Negative phase side. The conventional two phases of a vibration are in actuality four phases.

Triple Triune Modes
http://www.svpvril.com/Fig_3.html

These modes actually manifest in all three vector directions and modes simultaneously. Therefore each of the three modes is actually a triune association of the three from three different orientations. Therefore there are actually nine (ennead) modes simultaneously which manifest as One Unity. These must be described mathematically using three different sets but never with a negative number.

Vibration as Spiral Vortex
http://www.svpvril.com/Fig_2.1.html

These modes manifest in three perpendicular directions. The straight-lined is Longitudinal; the radial from the center line to the spiral is the Transverse or Shear waves; the spiral is the Raleigh, Lamb or Love wave. When any one of them is present they are all present. Magnitude may vary for each. Superimposing opposite phases will make the energy scalar or latent. Wave forms can be misleading. There are actually no waves per se. Energy moves as a polarization vector. What we see as a wave is actually the result of other forces acting on subtler and higher levels of causative actions.

Triple Modes of Vibration
http://www.svpvril.com/Fig_2.html

Three modes of a vibration: Longitudinal as straight-line or back and forth; Transverse or zigzag 90° to the first and Raleigh or Love waves 90° to the first two modes and which are circular or vortexian and manifest primarily as elliptical or apsidal in shape. None of these modes can exist independent of the other two.

Fibonacci Spirl
http://www.svpvril.com/Fig_9.html

Radial components are an integral part of all waveforms. These manifest according to music which is an organized system of vibration and arithmetic. The center of this spiral is infinite in that it can never be reached mathematically. The numbering begins with One (not zero) and has no culmination or completion in its outgrowth series.

Fibonacci Series as Music
http://www.svpvril.com/Fig_10.html#TOP%20Fig_10

Even the simplest series can be set to music and accurately reflects pure musical tones. These tones and numeric sequences are the root of vibratory phenomena and Sacred Geometry. Thus the four Great Studies are: Geometry, Music, Arithmetic, Astronomy - after the ancient Greeks

Music in Triangles
http://www.svpvril.com/Fig_10.1.html

Even the simplest series of geometrically derived numbers can be set to music and accurately reflect pure musical tones. These tones and numeric sequences are the root of vibratory phenomena and Sacred Geometry. Thus the four Great Studies are: Geometry, Music, Arithmetic, Astronomy - after the ancient Greeks. From the triangle we can extrapolate to many other forms.

Law of One
http://www.svpvril.com/Fig_1.html

Idealized pattern of the three modes of a vibration is represented by the positive phase of a waveform while the Neutral is the zero line (shown here as the central circle) and Negative is the downward phase curve. View as a spiral from the end and the small central circle

Wave Form Components
http://www.svpvril.com/Fig_5.html

All wave forms are really a composite of discrete, unseen or occulted vibratory forces acting in concert. Graphic shows four different complex waveforms as being the result of other discrete forces. These forces are being defined by frequency and amplitude. By a process of FM and AM Additive Synthesis these discrete and malleable elements can be arranged and rearranged to form any desired waveform.

Cosmic Buds
http://www.svpvril.com/Fig_11.1.html

Neutrality is a Complex State of Balanced Energies. Taking the universe as a multidimensional interweave of dynamics it is possible to picture triple waves acting at 90° to each to coincide at a point. This point is infinitely small, possessing infinite quantities of positive and negative polarizations - merged as a single Oneness - in all their latencies - in six different phases or directions of orientation, action, manifestation and beingness. These Infinite Points contain all there is or will be - as pure scalar potential.

Where the three Neutrals meet is formed a Scalar Standing Wave of Infinite Proportions and Qualities.

Quaternions
http://www.svpvril.com/Fig_6.html

All wave form vectors are really a composite of unseen or occulted forces acting in concert. Graphic shows the standard Hamiltonian method (below right) of describing vectors using Newtonian calculus and the more natural way (on the left) using Quantum Arithmetic and ellipses as opposed to squares which always have inherent inaccuracies. Using X-Y coordinates can at best be only approximations of the truth.

Feynman's Morphology
http://www.svpvril.com/Fig_7.html

Feynman was not happy with the conventional view of orbiting electrons around a centralized nucleus. Just prior to his passing he conceived and published this "new" idea of what he thought was a better representation of the truth.

The fact that the proton and neutron are made of charged particles going around inside them gives a clue as to why the supposedly neutral neutron has no magnetic moment at all.” Richard Feynman

Keely’s Morphology
http://www.svpvril.com/Fig_8.html#TOP%20Fig_8

Keely developed this idea in the 1880s - years before the electron was officially accepted in 1893. His concept bears near identical resemblance to Feynman's idea. Unlike Feynman, Keely went on to develop an entire science and applied technology using this paradigm

Music Intervals in Triangles
http://www.svpvril.com/Fig_10.2.html

Even the simplest series can be set to music and accurately reflect pure musical tones. These tones and numeric sequences are the root of vibratory phenomena and Sacred Geometry. Thus the four Great Studies are: Geometry, Music, Arithmetic, Astronomy - after the ancient Greeks

Power of Harmonics
http://www.svpvril.com/Fig_11.html

Harmonics possess power derived from the fundamental. These harmonics are always generated in simple arithmetic ratios of the fundamental

Music of an Ellipse
http://www.svpvril.com/Fig_11a.html

Quantizing to One and using musical intervals as relative proportions results in a natural development of geometry using arithmetic. This would be a scientific basis of sacred geometry and sacred science. Vibration signature patterns, as does all life, make use of the Fibonacci Series and ellipses as a foundation form. In the above figure the various dimensions of an ellipse are related one to another to determine their relative value. These ratios are presented as music intervals and show there is little chaos in the universe as all natural phenomena manifest via vibratory actions. These vibratory actions are resultants of vortexian or curvilinear or circular motions. Dimensioning and numbering developed using Quantum Arithmetic.

Ellipse Set to Music
http://www.svpvril.com/Fig_11b.html

Ellipse set to Music. Below, shows the above music intervals of figure 11a "set to music" on the appropriate note notation position. This is beginning to resemble portions of Keely's fabulous charts which can be found in Universal Laws Never Before Revealed: Keely's Secrets

Relative States of Matter and Energy
http://www.svpvril.com/Fig_12.html

There are realms or organizations of matter and energy based on vibratory characteristics. On the first and lowest dimension we find the courser, heavier and lower frequency substances such as earth elements in a solid form (simple and compound molecules). The next higher realms are of semi-liquids and liquids then onto gases and plasmas on the third and fourth states or dimensions respectively. The next level is the liquid ether which modern science is probing in many ways.

According to ancients ether descends from æther or Akasha which originates from still finer sources. The finer/subtler energies descend to lower realms - the lower realms are results of the higher. Spirit/energy precedes, initiates and defines matter. To work with matter in new and unique ways one must work the causative forces of those First Cause forces. These are the aliquot parts, notes of the chord of mass or quaternions. Working on these subtler levels one becomes associated with the cause of matter.

The Anu
http://www.alliancesforhumanity.com/matter/matter.htm

As we have seen, a chemical atom may be dissociated into less complicated bodies; these, again, into still less complicated; these, again, into yet still less complicated. After the third dissociation but one more is possible; the fourth dissociation gives the ultimate physical atom on the atomic sub-plane, the Anu. This may vanish from the plane, but it can undergo no further dissociation on it.

In this ultimate state of physical matter two types of units, or Anu, have been observed; they are alike in everything save the direction of their whorls and of the force which pours through them. In the one case force pours in from the "outside," from fourth-dimensional space, the Astral plane, and passing through the Anu, pours into the physical world. In the second, it pours in from the physical world, and out through the Anu into the "outside" again, i.e., vanishes from the physical world. The one is like a spring, from which water bubbles out; the other is like a hole, into which water disappears. We call the Anu from which force comes out positive or male; those through which it disappears, negative or female. All Anu, so far as observed, are of one or other of these two forms.

It will be seen that the Anu is a sphere, slightly flattened, and there is a depression at the point where the force flows in, causing a heart-like form. Each is surrounded by a field.

The Anu can scarcely be said to be a "thing," though it is the material out of which all things physical are composed. It is formed by the flow of the life-force and vanishes with its ebb. The life-force is known to Theosophists as Fohat, the force of which all the physical plane forces are differentiations.

When this force arises in "space," that is when Fohat "digs holes in space,"—the apparent void which must be filled with substance of some kind, of inconceivable tenuity—Anu appear; if this be artificially stopped for a single Anu, the Anu disappears; there is nothing left. Presumably, were that flow checked but for an instant, the whole physical world would vanish as a cloud melts away in the empyrean. It is only the persistence of that flow (the first life-wave, the work of the third Logos) which maintains the physical basis of the universe.

In order to examine the construction of the Anu, a space is artificially made. (By a certain action of the will, known to students, it is possible to make such a space by pressing back and walling off the matter of space.) Then, if an opening be made in the wall thus constructed, the surrounding force flows in, and three whorls immediately appear surrounding the "hole" with their triple spiral of two and a half coils, and returning to their origin by a spiral within the Anu; these are at once followed by seven finer whorls, which, following the spiral of the first three on the outer surface, and returning to their origin by a spiral within that, flowing in the opposite direction—form a caduceus with the first three.

Each of the three coarser whorls, flattened out, makes a closed circle; each of the seven finer ones, similarly flattened out, makes a closed circle. The forces which flow in them again come from "outside," from a fourth-dimensional space. Each of the finer whorls is formed of seven yet finer ones, set successively at right angles to each other, each finer than its predecessor; these we call spirillae. (Each spirilla is animated by the life-force of a plane, and four are at present normally active, one for each Round. Their activity in an individual may be prematurely forced by yoga practice.)

In the three whorls flow currents of different electricities; the seven whorls vibrate in response to etheric waves of all kinds—to sound, light, heat, etc.; they show the seven colours of the spectrum; give out the seven sounds of the natural scale; respond in a variety of ways to physical vibration— flashing, singing, pulsing bodies, they move incessantly, inconceivably beautiful and brilliant.

The Anu is a sun in miniature in its own universe of the inconceivably minute. Each of the seven whorls is connected with one of the Planetary Logoi, so that each Planetary Logos has a direct influence playing on the very matter of which all things are constructed. It may be supposed that the three conveying electricity, a differentiation of Fohat, are related to the Solar Logos.

Force pours into the heart-shaped depression at the top of the Anu, and issues from the point, and is changed in character by its passage; further, force rushes through every spiral and every spirilla, and the changing shades of colour that flash out from the rapidly revolving and vibrating Anu depend on the several activities of the spirals; sometimes one, sometimes another, is thrown into more energetic action, and with the change of activity from one spiral to another the colour changes.

The Anu has—as observed so far—three proper motions, i.e., motions of its own, independent of any imposed upon it from outside. It turns incessantly upon its own axis, spinning like a top; it describes a small circle with its axis, as though the axis of the spinning top moved in a small circle; it has a regular pulsation, a contraction and expansion, like the pulsation of the heart. When a force is brought to bear upon it, it dances up and down, flings itself wildly from side to side, performs the most astonishing and rapid gyrations, but the three fundamental motions incessantly persist. If it be made to vibrate, as a whole, at the rate which gives any one of the seven colours, the whorl belonging to that colour glows out brilliantly.

An electric current brought to bear upon the Anu checks their proper motions, i.e., renders them slower; the Anu exposed to it arrange themselves in parallel lines, and in each line the heart-shaped depression receives the flow, which passes out through the apex into the depression of the next, and so on. The Anu always set themselves to the current. In all the diagrams the heart-shaped body, exaggerated to show the depression caused by the inflow and the point caused by the outflow, is a single Anu.

The action of electricity opens up ground of large extent, and cannot be dealt with here. Does it act on the Anu themselves, or on molecules, or sometimes on one and sometimes on the other? In soft iron, for instance, are the internal arrangements of the chemical atom forcibly distorted, and do they elastically return to their original relations when released? In steel is the distortion permanent?

It will be understood from the foregoing, that the Anu cannot be said to have a wall of its own, unless these whorls of force can be so designated; its "wall" is the pressed back "space." As said in 1895, of the chemical atom, the force "clears itself a space, pressing back the undifferentiated matter of the plane, and making to itself a whirling wall of this matter." The wall belongs to space, not to the atom.
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aAzzAa



Joined: 03 Sep 2007
Posts: 1140

PostPosted: Tue Dec 09, 2008 10:44 am    Post subject: Re: The Secrets of the Aether and the Power of Sound Reply with quote

Quote:
The power of the aether manifests itself only through sacred geometric forms. He who understands the frequencies (harmonics) knows how to use vibrations to alter the crystal lattice structure of matter at the sub-atomic level.


One is not going to find those frequencies using present knowledge of the structure of sound and music. What is manifest is like an iceberg. The mirror side needs to be exposed before the "marriage" point is exposed with it. Both sides are locked in together, sharing information and flowing/swapping over to the opposite side through the tritone axis. Ignoring one side, and thinking we have the picture is blindness.
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Raphael



Joined: 20 Aug 2007
Posts: 1337
Location: SpaceTimeVibration

PostPosted: Tue Dec 09, 2008 4:45 pm    Post subject: Re: The Secrets of the Aether and the Power of Sound Reply with quote

aAzzAa wrote:
Both sides are locked in together, sharing information and flowing/swapping over to the opposite side through the tritone axis. Ignoring one side, and thinking we have the picture is blindness.


Which might suggest someone must step forward and take a hit for team humanity and thus DIE, and then miraculously resurrect them self and share all the knowledge and wisdom they remember about the 'other side', after they return to this side...
Yahoo I have seen the light...

Sounds like a familiar theme?

And by the way...which side of the tritone axis are the ewe getting their vibes from?
Who tells them which fields to graze in, which villages to raze, and how to raise hell?

If Papa Pope is the conduit...who is sending the meSSage? Twisted Evil

namaste

Raphael

_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
-Albert Einstein
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junglelord



Joined: 03 Nov 2008
Posts: 56

PostPosted: Tue Dec 09, 2008 5:22 pm    Post subject: Reply with quote

No Way the Pope is a conduit.
I could be wrong.
They are however deeply involved.

_________________
If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.
— Nikola Tesla

Casting Out the Nines from PHI into Indigs reveals the Cosmic Harmonic Code.
— Junglelord.
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aAzzAa



Joined: 03 Sep 2007
Posts: 1140

PostPosted: Tue Dec 09, 2008 5:45 pm    Post subject: Re: The Secrets of the Aether and the Power of Sound Reply with quote

Quote:
Which might suggest someone must step forward and take a hit for team humanity and thus DIE, and then miraculously resurrect them self and share all the knowledge and wisdom they remember about the 'other side', after they return to this side...
Yahoo I have seen the light...

Sounds like a familiar theme?



Only familiar becuase we haven't opened the bigger picture up. Higher Self has command of the elements, no need to suffer death. If what is shown on paper, and witnessed throughout nature, has any bearing, then inner doorways can be accessed. One will never know until they have tried, and trying is about gathering the information, and the information is not limited to a one sided system.

Quote:
And by the way...which side of the tritone axis are the ewe getting their vibes from?


The tritone wears a few names. It is the 4.5, it is the 10/17, and it is the 11:11. In the overtones it is the 11:11. In the Vedic square and major scale cycles it is the 4.5 axis of perfect symmetry. If cycles exists, and they are clockwise and counterclockwise in nature, then the 4.5 is point of non-duality. One certainly doesn't have to get all complicated with so called clever science formulas. It is a simple system to see. Understand the meaning of the Vedic square, and of music cycles, and plot the mirror pairs over such things as the Fibonacci numbers. This will lead you to the Merkaba, or as you know it, the Swastika. It also shows that both illusion and reality, good and evil, all spring from the same axis. It is the hearts of men and women that determine the use. The "ewe" are getting their awareness through attachments and illusion, as are all of us to a certain degree.



Quote:
Who tells them which fields to graze in, which villages to raze, and how to raise hell?


Their attachments!

Quote:
If Papa Pope is the conduit...who is sending the meSSage?


He represents the secret collective desires of the masses. If the masses want blindness he will be blind. If he wakes up and the masses still want blindness, they will kill him and replace him with one that gives them their security.

Also, this idea of 4.5 being the duality brought to par/unity and a swap-over point to other side of mirror also leads to the Mayan calendar. because right in the centre of that calender one can find an in between axis, the 4.5. So I wonder if that means a universal point of non-duality is on the cards.
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gritzle70



Joined: 27 Sep 2006
Posts: 72

PostPosted: Tue Dec 09, 2008 8:04 pm    Post subject: 11:11 Reply with quote

11:11
http://www.awakening-healing.com/Books/Lui%20Di%20Martino%20-%20eleven%20eleven%20.pdf

In my book “Music and Numbers through the Looking Glass” there is ample evidence of the perfect symmetry occurring around the 11:11 position. Within scales it is hidden within the center at both sides of the mirror. Within numbers it is evident when they are combined with the music scales, and so all seems to be married together.

In that respect what is the point in providing empirical evidence that there exists a perfectly symmetrical point within the vibrations, a swap-over point that can be designated an 11:11 axis?

I call the hidden structure that emerges when one deals within vibration in a symmetrical way a Merkaba or star of David. When perfect symmetry is found, this Merkaba is like the glint of light that appears at that point. The book deals with how this Merkaba structure is found again and again. Coming up in this paper are only the 11:11 connections.

Again one triad is a major triad and the mirror triad is a Minor triad. This is always the way with mirroring. It is only at one point where there is perfect symmetry, where the male and female seem to be united. That point occurs within the Dorian Mode. This mode has always been associated with mysticism, like the Dorian Monks, or Egyptian beliefs that this mode was access to our ‘twin’ on the other side. At this Dorian mode position one will come to see how Light and Dark marry together and cause a perfectly symmetrical system.

There are two axis points because there are double circles that are motivated to movement from the root axis point. One circle travels clockwise and the other anticlockwise.

At the semi-circle stage of both journeys happens this second axis point (musically known as the tri-tone position)

The F# at the centre of the C Major scale is an invisible axis, whilst the C is a visible axis. This Tri-tone position axis that produces (like a tonal fountain) the Duality of male/female pairs as expressed in vibration.

Whatever the result is at the root axis there is a similar result at the Tri-tone axis. The central tri-tone axis is a way that we can be at full potential with the root again.

11:11 is very much the gateway of the invisible axis, passive and not up to anything. It is the "world" at large that seems to be up to everything else except focusing on it. And I feel it is because human nature cannot focus on it. To focus and go within is to loose our secret desires, for they will not pass through if they are not based on the law of One.

Invisible axis falls on 11:11 (F#/F#) within the overtones either side of the visible C axis that joins the two evolving sides of the duality.

The 11:11 is the invisible aspect. The visible tri-tone occurs at the 4/7 and 7/4 either side of the mirror. On the right it is F/B which is the visible tri-tone, and C/F# the invisible tritone.

One could mention the Greek way of producing scales using Tetrachords, and it would be seen that it is at the centre where two tetrachords are merged that there exists this invisible axis point.

Nothing is actually male or female until in a masculine or feminine position. One cannot describe a note as masculine without betraying the rights of the female triangles, as shown in my book. At a male position on one side of the mirror is a female position in symmetrical reflection to it. They will not be vibrating at exactly the same number, because they are different notes. Those notes do not really matter as much as their position at that time does. For in any other key those notes may be in an opposite sexual position (yes, as shown by the number 69).

So how does a male become a female at the swap-over moment? Perhaps they need to hop on a triangle and it gets them there through the tri-tone gateway. Why not?!

Quantum mechanics says it’s a crazy world deep in the heart of an atom. Thinking of this gateway leads us to the 11:11 gateway within the overtone duality. Thinking of this 11 may well render a quick detour into dividing numbers by 11

There are two main things happening in these totals. There are the number partners of the Vedic square 1/8 2/7 3/6 4/5, and there are what in music are known as Inversions, and again they happen to be the same as the number partners. Because it is the number 11 that produces this one is led back to the overtones and wonders if at the 11 point either side of the duality it uses the tri-tone to continually shift from a clockwise number to an anti-clockwise number. This would be the same as traveling on side of the mirror to the other continually, infinitely on each inversion.
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gritzle70



Joined: 27 Sep 2006
Posts: 72

PostPosted: Tue Dec 09, 2008 9:15 pm    Post subject: Harnessing Torsion (acoustic) Waves Reply with quote

HARNESSING TORSION WAVES AND CONSCIOUSNESS
http://noneed2know.gaia.com/blog/2007/5/harnessing_torsion_waves_and_consciousness

Kozyrev's work and others have shown us that all matter harnesses torsion waves to sustain its existence. An atom is actually a vortex of aetheric energy where the negatively-charged electron clouds are pressing in towards the positively-charged nucleus via the Biefield-Brown effect. We also have seen that geometry is a major factor in the quantum realm, since it represents the natural form that vibration creates in a fluidlike medium. These naturally occurring aetheric vibrations will cause atoms that are released from a tiny nozzle to gather into perfectly geometric microclusters, which act as one large atom in their own right. These vibrations are also responsible for the formation of quasi-crystals, where a rapidly-cooled metallic alloy forms into a geometric structure that cannot be created by individual "particle" atoms, but only by those atoms blending together into a larger whole.

Again, the key is that these geometric forms are being created by vibration. In order for this vibration to occur, an atom must be constantly absorbing and radiating aetheric energy at the same time. As this vibration continues, the atom will throw off torsion waves into the surrounding aether. This means that every atom is a torsion generator, and depending on its overall "spin polarization," i.e. whether there is a greater amount of right-handed or left-handed spin in its electron clouds, the object will either generate left-handed or right-handed torsion waves. Larger "bulk" groupings of atoms into common physical objects would obviously follow the same rules.

So, let's say that you have an object whose atoms are more heavily polarized for right-handed spin as opposed to left-handed spin. Now, let's move back to our analogy of a sponge that is submerged in water. The vibrations at work will cause the sponge to be continually expanding and contracting in size at a very fast speed. If the sponge is a perfect sphere, then the sponge will be throwing off an equal amount of water in all directions at a steady flow rate. However, if the sponge were shaped into a cone, then each time that the sponge contracts, a greater amount of water will shoot out of the top of the cone as opposed to the other areas. This is easily visualized with the analogy of seeing water passing through a funnel. In the case of this analogy, the top of the cone would be releasing right-handed torsion waves.

Thus, since every atom is throwing off torsion waves as it vibrates, certain shapes can help harness and direct this torsional energy flow more than others. Obviously, any of the Platonic Solids would be in this category, but other shapes can harness torsion waves without necessarily being Platonic Solids.

CHANGES IN THE SPIN POLARIZATION OF AN ATOM ARE POSSIBLE

TORSION WAVES ARE "PHI" SPIRALS
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junglelord



Joined: 03 Nov 2008
Posts: 56

PostPosted: Tue Dec 09, 2008 9:31 pm    Post subject: Reply with quote

Man am I digging everything you said.
It is so nice to see a percentage of the population getting the big picture.
Wonder how many actually know what we know? I mean without classified clearence.

Out of six billion, I wonder what % of us without classifed clearence have figured it out.
Cool

It is ovbious that we have.
I say Mass never changes.
I say Energy is not fundamental.
I say the Aether is a rotating magnetic field with a quantum spin of 2.
I say the way to view the universe is via frequency not time.
I say a proper understanding of Pi, PHI, e, is everything.
I say the dual vortex, double layer, triple helix are archetype forms for all structure and control all functions.

The universe is a coherent system with collective behaviour with distributed charged. Aether encapsulates Primary Angular Momentum and forms matter via Tensegrity. The structure of the vacuum is the 12 vectoral equality of Synergetics Matrix. The Jitterbug of the 13 center charge distributed sphere is from the center. As Feynman hinted at. The valence shell changes by a Jitterbug from the Center, not the Valence Location as you would imagine. Also the exchange of Primary Angular Momentum is what occurs between a Photon and the Electron, not "energy".

Energy is a product of five dimensions.
Energy = Mass X Length ^2 X Frequency^2

Energy is not fundamental.

These are fundamental dimensions.
Length
Frequency
Mass
Charge
Spherical Geometry

Not all dimensions are Distributed, for example Mass is linear.
Charge is always distributed.
EM Charge is the cause of the nucleus.
There is no such thing as a gluon.
The ES Charge's ratio to the EM Charge causes the Weak Force.
The three forces are ES Charge, EM Charge, Gravity.

ES Charge is Fundamental and is the same for all Subatomic units.
EM Charge is a product of a circlar String of Mass scanning an Aether Unit.
It is therefore particular to the Subatomic Unit. Mass is always the same is well known for the three sub atomic units.

The relationship of the Aether Cycle to the Primary Angular Momentum that it encapsulates is the cause of PHI and e. Since the geometry of the ES Charge is a sphere and the geometry of the EM Charge is a Toroid, it is common sense to see why Tesla had these two coils as part of his Impulse Magnifying Transmitter which is a Star Z/Theta Pinch

_________________
If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.
— Nikola Tesla

Casting Out the Nines from PHI into Indigs reveals the Cosmic Harmonic Code.
— Junglelord.


Last edited by junglelord on Tue Dec 09, 2008 9:55 pm; edited 3 times in total
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gritzle70



Joined: 27 Sep 2006
Posts: 72

PostPosted: Tue Dec 09, 2008 9:34 pm    Post subject: The Electron Reply with quote

Keely's Anu?

Electrons and Myth
http://www.greatdreams.com/grace/99/99OOOelectrons.html

I heard of Stan Tenen's discoveries and I was deeply surprised. Now I have to visit his home page and I got some answers regarding the hyperbolic spiral. Some weeks ago, I had an idea because of spirals. If you have a look at a torus, in his center, there is a (hyperbolic) spiral. In this occasion I remembered the elementary-atom. May-be you know the book occult chemistry from Leadbeater/Bessant. In this book you find the elementary-atom (attached figure atom).

This atom has a spiral in his center and it is pulsing. Then my thought was that the spiral is only a part of the torus of the elementary atom. Half of the 3.10 knot is inside a tetrahedron. If you merge two tetrahedrons with their tops one against the other you get an ED David-Star (a star tetrahedron with 8 points). The 3.10 knot from Stan Tenen is very similar (identical) to the elementary atom. It has 3 strong spiral arms and 7 fine spiral arms. The sum is 10. So it is a 3.10 knot. I have read that the geometry of the ED- David Star (Star tetrahedron) is used for UFO-propulsion. Maybe here is the answer for antigravity.

My idea was to build a real model of the elementary-atom. I have to study all of Stan Tenen’s work very well. About the Dini's Surface - it seems to be a hyperbolic cone that follows the hyperbolic spiral. In this case, there is a double hyperbolic geometry. Very interesting but I don't understand very well the application.

I have to study Stan Tenen's theory. The relation to the Hebrew alphabet is very interesting. Once I saw a Jewish rabbi on TV who was able to predict future and past only analyzing the name of a person. He made some calculation with numbers. Every letter corresponds to a number. He said that the Old Testament of the Bible can be read in over 200 different modes using different codes. He called it Cowbell. I did not imagine that Cowbell is related to spirals or geometries.

(What is it about the bell or the keyhole design?)

I was just thinking; if it is true that the universe is musically ordered and by focusing on matter with Mind we change the make-up of that matter, then we are composing music every moment of our lives and our song is being 'heard' and echoed around us, resonating with like and dispersing from dislike. What we think in every moment echoes back to us having collected the appropriate resonations that we are looking for.

SECRETS OF THE HEBREW LETTERS
http://www.meru.org/Press/Atlantisrising.html

By fusing mathematics and Jewish mysticism, Tenen has demonstrated that the first verse of Genesis in the Hebrew Bible generates a mathematical Torus. When a particular portion is removed from this 'doughnut', its shape mirrors the human hand. Tenen claims the Hebrew alphabet is based on the human hand, because it represents the function of differentiating self from other, inside from outside.

When Tenen broke the first word of Genesis into its 'subatomic particles' (the word is actually comprised of two smaller words, meaning "fire" and "six-edged thorn"), he took the "thorn" to mean a tetrahedron and constructed a model of it, placing the "fire," or torus "vortex" form, inside. Tenen noticed that the model also reflected the polarity of perfect symmetry (the tetrahedron) and asymmetry (the vortex form). As he studied it, he discovered it was even more multifaceted than he had realized. "When I looked through the faces of the tetrahedron at the vortex, each view displayed a different letter in the Hebrew alphabet," he says. And," he mentions almost casually," I realized the 27 gestures that accompany the letters correspond to the 27 'preferred' pointing directions used in hyper-dimensional space."
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