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junglelord
Joined: 03 Nov 2008 Posts: 56

Posted: Tue Dec 02, 2008 10:41 am Post subject: Harmony Mathematics 


My quest to identify geometry of nature and to relate structure and function with a proper understanding of natural process and fractal relationships is missing something in modern math. APM showed me what I had been looking for since about the year 2000, a quantum structure system based on pi and phi and e. I found this Harmony Mathematics to be a natural extension of that thought process. Cheers.
Quote: 
Concept of the Harmony Mathematics
The golden ratio along with the numbers of pi and e have to occupy the prominent place in mathematics.
Thus, the neglect of the golden section and the harmony idea is one more strategic mistake not only mathematics but also theoretical physics. This mistake originated a number of other strategic mistakes in the mathematics development.
Concept of the Harmony Mathematics
The humanity became aware of a long time that it is the participant and the witness of huge number of different "worlds" surrounding it. And their own laws act in every from the "worlds". First of all there are the "mechanical world" and the "astronomical world" where "Newton's gravitation laws" act, the "electromagnetic world" where "Maxwell' equations" act, the world of "living nature", the world of "information", the world of "business", the "social world", the world of the "Art" and so on.
And the human science created the corresponding mathematical theories adapted very well to modeling of processes flowing in that or another "world". And this was the answer of mathematics to the "social need". The calculus created for modeling the "movement processes" and "gravitation laws" of mechanical objects was the brightest example of this. The electromagnetic theory created by Maxwell for modeling of the electromagnetic processes is the other brightest example.
We have described in our Museum a big number of examples where Fibonacci numbers and golden section play an important role. And the botanic phenomenon of phyllotaxis is the brightest example of this. And there arises a question: possibly there exist some "Fibonacci's world" subjected to Fibonacci numbers and golden section? Most likely the world of plants, animals and the man as the biological object is "Fibonacci's one". Recently the Ukrainian architect Oleg Bodnar showed that the geometry of living nature is the hyperbolic one. At that the growth processes are subjected to the hyperbolic Fibonacci and Lucas functions (we will tell about Bodnar' discovery more in detail). But possibly is the "world of business" the "Fibonacci world" too? And the highly unusual investigations of the American scientist Ralf Elliott ("Elliott's Waves") confirms this.
And like to the fact that the investigation of the "movement problem" brought into creation of the calculus, the most important mathematical apparatus of modern mathematics, and the investigation of the electromagnetic phenomena brought into the "Maxwell's equations", the modern scientific discoveries based on Fibonacci numbers and golden section demand on development of the corresponding mathematical apparatus adequate to the studying physical phenomena.
We showed in our Museum that the Fibonacci numbers theory was supplemented recently by some new mathematical results (the generalized Fibonacci numbers following from Pascal Triangle, the generalized golden ratios, the hyperbolic Fibonacci and Lucas functions being the extension of Binet's formulas to continues domain and so on). The algorithmic measurement theory being the generalization of Fibonacci "weighing problem" and also Bergman's number system and its generalization, "Codes of Golden Proportion", which, in essence, is the new number definition, play a special role in Fibonacci's field. These new mathematical results extend the topic of Fibonacci numbers theory and demand on systematisation of these new Fibonacci directions in the framework of some general idea. And just such attempt to systematize the different "Fibonacci's theories" was made by Prof. Stakhov in his lecture "The Golden Section and Modern Harmony Mathematics" delivered by him at the Seventh International Conference on Fibonacci Numbers and Their Applications (Austria, Graz, July 1996).
The hyperbolic Fibonacci and Lucas functions are the heart of the new phyllotaxis geometry (Bodnar's geometry), which presents by itself the brilliant confirmation of the effectiveness of the Fibonacci and Lucas hyperbolic functions for simulation of biological processes.
Thus it follows from this consideration at least two important modern applications of the Fibonacci numbers and the golden ratio theory namely:
Simulation of biological processes (Bodnar's geometry).
New computer theory (Fibonacci and "golden" computers).
As is well known the classical mathematical analysis based on the pi and enumbers was developed as the mathematical theory for simulation of mechanical processes (Newton's theory of gravitation). From comparison of the classical mathematical analysis with the Harmony Mathematics it follows that the latter, based on the golden ratio, is the interesting complementary to the classical mathematical analysis, its extension for simulation of biological and informational processes. Thanks to this approach the golden ratio along with the numbers of pi and e have to occupy the prominent place in mathematics.
Applications of the golden section in the Art are widely known. The Harmony Mathematics generates the new geometric proportions (the golden piratios), which will be quite applicable to the art works. One may assume that the progress of the Harmony Mathematics will be able to influence to the progress of modern art.
Table 1.
Foundation of the "Classical Mathematics"
1. Euclidean number definition, natural numbers, number theory
2. Classical measurement theory, irrational numbers
3. Fundamental mathematical constants, the pi and enumbers, elementary functions
Foundation of the "Harmony Mathematics"
1. New number definition based on generalized golden sections, generalized Fibonacci numbers, Fibonacci numbers theory
2. Algorithmic measurement theory, new number series following from the algorithmic measurement theory
3. Golden section, generalized golden sections, hyperbolic Fibonacci and Lucas functions
The main mathematical ideas and theories that underly the Harmony Mathematics:
1. Investigating the diagonal sums of Pascal triangle, the author came to the generalized Fibonacci numbers or Fibonacci pnumbers (š = 0, 1, 2, 3,...), generalized the wellknown Golden Section problem and developed the concept of the Generalized Golden Sections or the Golden šSections (š = 0, 1, 2, 3, ...) [2]. The author formulated a new scientific principle, the Generalized Principle of the Golden Section. This one includes in itself as special cases the "Dichotomy Principle" (š = 0) and the classical "Golden Section Principle" (š = 1) that came to us from the ancient science [3]. The Generalized Principle of the Golden Section underlies the following mathematical theories, which form in total the "Harmony Mathematics":
2. Algorithmic Measurement Theory [4] is a new direction in the mathematical measurement theory. In its origin this theory goes back to the problem of the best weights system choice (Fibonacci, 13th century). Its basic result is an infinite number of new, unknown until now measurement algorithms and new positional methods of number representations. They have practical and theoretical interest for modern computer and measuring systems. Fibonacci measurement algorithms based on the Fibonacci pnumbers, Fibonacci codes and Fibonacci arithmetic are one of the unexpected scientific results of the algorithmic measurement theory.
3. Theory of number systems with irrational radices is stated in author's book "Codes of the Golden Proportion" (1984) [5]. These number systems are a principally new class of the positional number systems that changes a correlation between rational and irrational numbers and concern to foundation of number theory [3]. New theory of number systems has fundamental interest computer science and can be used for creation of new computer projects. The ternary mirrorsymmetric arithmetics [6] that is a synthesis of the classical ternary notation and Bergman's notation is one of the new results in this field.
4. Hyperbolic Fibonacci and Lucas functions [79] are a new class of hyperbolic functions. The Golden Section is the base of these functions. These functions have a "strategic" interest for theoretical physics if we take into consideration a role of the hyperbolic functions in Lobachevsky's geometry and Minkovsky's geometry (hyperbolic interpretation of special theory of relativity).
5. Fibonacci Matrices [10] that are based on the generalized Fibonacci numbers and the "Golden" matrices that are based on the hyperbolic Fibonacci and Lucas functions are a new class of the square matrices that have theoretical interest for modern matrix theory.
The "Golden" Projects:
1. New coding theory [11] that are based on the Fibonacci and "Golden" matrices can become the basis of new information technologies.
2. New theory of computers [4, 5, 6, 12] that is based on the Fibonacci codes and Codes of the Golden Proportion.
3. New theory of metrology and measurement systems [4, 5] that are based on the "golden" resistor dividers.
4. A reform of mathematical education based on the Golden Section.
5. Museum of Harmony and the Golden Section [13] (http://www.goldenmuseum.com/) as unique collection of all Nature, Science and Art works based on the Golden Section.
Concepts of Harmony Mathematics
http://www.goldenmuseum.com/1108HarmMath_engl.html
"Harmony Mathematics and its Application in Modern Science"
http://www.goldenmuseum.com/2204McMaster_engl.html
Doctor of Sciences in Physics and Mathematics, Professor
Gennady Shypov (Moscow):
In 1996 the author delivered the lecture "The Golden Section and Modern Harmony Mathematics" [1] on the 7th International Conference "Fibonacci Numbers and Their Applications" (Austria, Graz, 1996). This lecture was repeated by the author at the meeting of the Ukrainian Mathematical Society (Kiev, 1998) and then at the seminar "Geometry and Physics" of the Theoretical Physics Department of the Moscow University (Moscow, 2003).
Prof. Stakhov's lecture is irreproachable both under the form, and under the contents, that is, satisfies completely to the "Golden Section Principle". The most impression is the fact that such serious mathematical research is executed by one person. Results of Prof. Stakhov's researches have fundamental importance for development of mathematics and a computer science. Prof. Stakhov work is executed at so high level, that quite deserves its promotion on the Nobel Prize.
Professor Alan Rogerson,
the scientific supervisor of the International Project
"Mathematical Education of the 21th century"
Museum of Harmony and the Golden Section
MATHEMATICAL CONNECTIONS IN NATURE, SCIENCE, AND ART
THE CONCEPT OF HARMONY AND THE GOLDEN SECTION
http://www.fenkefeng.org/essaysm18004.html
Mathematical Models of the Hyperbolic Worlds
http://www.mi.sanu.ac.yu/vismath/stakhov/index.html
Knots and Everything
http://www.mi.sanu.ac.yu/vismath/sg/stakhov2008/index.htm
From Euclid to Contemporary Mathematics and Computer Science
http://www.worldscibooks.com/mathematics/6635.html

_________________ If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.
— Nikola Tesla
Casting Out the Nines from PHI into Indigs reveals the Cosmic Harmonic Code.
— Junglelord. 

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Raphael
Joined: 20 Aug 2007 Posts: 1337 Location: SpaceTimeVibration

Posted: Wed Dec 03, 2008 8:24 am Post subject: 


http://www.mi.sanu.ac.yu/vismath/stakhov/Image702.gif
At that link you gave, the author connects the Golden Shofar to the Fibs, (Fibonacci) that don't lie.
Another connection linking SOUND and Phi?
It will take me a while to read those links jL.
namaste _________________ KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
Albert Einstein 

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Raphael
Joined: 20 Aug 2007 Posts: 1337 Location: SpaceTimeVibration

Posted: Thu Dec 04, 2008 6:12 am Post subject: 


junglelord I received this comment today on my wordblog.
I think you will like it.
Quote:  gritzle70 Says:
December 4, 2008 at 12:16 am e
http://www.gnn.tv/threads/5919/soliton_and_freemasonry
Marsilo Ficino passed on this Freemasonic secret when he divulged that the tetrahedron is really composed of equilateral triangles that themselves are two 3:4:5 Pythagorean triangles, resonating at the complimentary opposites of the Perfect Fourth and Major Third music interval. This tetrahedronpyramidfulllotus resonance as it is also called created a strong link out of many weak ties under the term “universality” or “chaos itinerancy.”
Quantum chaos has discovered that Saturn (Time) and Jupiter (Space), over tens of millions of years, resonate at 2:5 orbit in the same plane, launching asteroids that resonate at 2:3 at planet Earth. This 3 dimensional spacetime resonance of Saturn and Jupiter caused the global destruction at 65 million years ago. 3dimensional space is actually the 4:5 resonance between Saturn and Jupiter or between the tetrahedron water molecules. When the pineal gland of the reptilian brain resonates into quantum chaos superconductive holography then the bifocal 3dimensional dependence of humans is overcome and the image of eternity is achieved.
The Actual Plan for the Matrix: Incommensurability, Harmonic Resonance, and the Religion of Technology
http://nonduality.com/hempel.htm
Unfortunately the technology is inherently against the natural harmonics of reality. This is why equaltempered tuning, although conceived in ancient China, was not allowed for the society as a whole. Also in ancient China it was remarked that those who know the 3:4:5 triangle based on the Golden Section and the Major Third music interval, could rule the world. Any supposed “sacred geometry” that is based on the square root of two is really just a promotion of destructive technospirituality.
Also John Worrell Keely apparently developed higher dimensional harmonic resonance technology based on the 3:4:5 triangle. Keely’s harmonic resonance findings that demonstrated levitation, disintegration, and energy generation were concealed apparently by the Freemasonic Skull and Bones society. The 3:4:5 triangle is the basis of the logarithmic music spiral that will be used to create the Matrix, according to the Theosophists and the CIA.
Continually throughout the research of the Theosophist analysts, it is clear that their goals can only be achieved by nondual mindbody yoga. Instead they are pursuing this goal through destructive technology. Nondualism can never be achieved through technology.
Therefore the plan for the Matrix, although it may destroy the planet, will never be successful. Alwaysalready the Cosmic Mother will be waiting to embrace those who practice shamanicyoga nonduality.
Mothership Landing
http://mothershiplanding.blogspot.com/
The secret of this book, written in such dense jargon, is that spontaneous free energy is created by an asymmetric resonance from the sine waveform. In science this alchemy is hinted at when the radiation is called “spontaneous” transmutation and when quantum chaos selforganization occurs “spontaneously.” 
namaste
Raphael _________________ KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
Albert Einstein 

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junglelord
Joined: 03 Nov 2008 Posts: 56

Posted: Thu Dec 04, 2008 10:02 am Post subject: 


Thats perfect. I am so glad you brought that to me.
I was talking to others, they need to understand this in their own way.
I use music as a way to explain the whole issue.
A 432.
_________________ If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.
— Nikola Tesla
Casting Out the Nines from PHI into Indigs reveals the Cosmic Harmonic Code.
— Junglelord. 

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Raphael
Joined: 20 Aug 2007 Posts: 1337 Location: SpaceTimeVibration

Posted: Thu Dec 04, 2008 11:14 am Post subject: 


junglelord wrote: 
I use music as a way to explain the whole issue.

And why do the philosophers seeking a kinship not a kingship always default to music?
must have something to do with frequency = vibration = kinship?
namaste
Raphael _________________ KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
Albert Einstein 

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aAzzAa
Joined: 03 Sep 2007 Posts: 1140

Posted: Thu Dec 04, 2008 10:03 pm Post subject: 


junglelord wrote:  Thats perfect. I am so glad you brought that to me.
I was talking to others, they need to understand this in their own way.
I use music as a way to explain the whole issue.
A 432.

JL, just as a possible interesting alternative, how about if A=432 is how we are "imprisoned" in this dimension. And the key to balance and non duality nis in D=432.
I noticed you mention Keely. Another science/music researcher that Keely was acquainted with was a man called Ramsey. I really recommend his book that is available at Dale Pond's website SVP. It's called Scientific Basis and Build of Music. There you will find an insight into why the note F is the first vibration, and not the note C. Following from that, it will make the D=432. That will actually make a lot more sense when other data is laid on top of that foundation. It makes the Dorian mode the true balance point, 2/2. it makes the Lydian mode begin from its rightful place as the brightest sounding mode. And this mode mirrors to the Locrian mode, which is the darkest sounding. From that, there is a journey of light to dark, tonally speaking , centered around the Dorian mode. This isn't really as jargonesque as plotting it down on paper and seeing would show, he he! I've got some simple to read diagrams of all this.
The reason I suggest A=432 is an imprisoning facter, is because it begins the circle of 5ths on the wrong notch. Like a number that would open up a safe, the door won't open when the A=432. it opens when the D=432, overworld/underworld centered around the F=1, Lydian/Locrian, brightest/darkest etc.
Ramsey creates the major scale from the first three prime numbers, 2 3 and 5. If one starts with C1 and applies 2 3 and 5 to it, they get C2 G3 E5, the first triad. Taking the top note of the triad, the G3 and applying 2 3 and 5 again, one gets G6 D9 B15, and again to the top note D9 applying 2 3 and 5, one gets D A F#. As you can see, this is the three primary triads for the G major scale.
C E G  G B D  D F# A = G major primary triads
CEG, CGE, EGC etc, are all C triad inversions, for example.
So it is not the place to start in order to create the circle of 5ths beginning at the C major scale, with no sharps or flats in its key signature. One has to start with the SUBdominant triad, the F, and apply the primes.
F A C  C E G  G B D = C major primary triads.
In doing so, the first scale one creates is F G A B C D E F...the brightest scale that lives within the C major parent scale, that is, the Lydian mode.
It takes six cotaves toa chieve this
F1 F2 C3 F4 A5 C6............FGABCDEF
By applying As Above So Below to this scale, one simply reverses the flow of the tones and semitones
</>
F Gb Ab Bb Cb Db Eb F/F G A B C D E F
Being in the center and mirror the flow. Above the F is a movement of one tone, so below the F is a movement of one tone, etc. One side is Lydian (right ascending), brightest sound of the major scale. Left side descending is the F Locrian mode, the darkest sound within a major scale. This F Locrian mode lives a Tritone away from C major. It is the same resonant note as known to be in the Queens Chamber of the great pyramid.
Anyway, I felt like a waffle. No offence ! 

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junglelord
Joined: 03 Nov 2008 Posts: 56

Posted: Fri Dec 05, 2008 10:43 am Post subject: 


WOW, nice stuff.
I am a drummer but read both drum notation and scale notation.
The study of harmonics in music is still a open box for me.
That really adds to my conception of this whole thing.
So the PHI relationship to A 432 is not a gateway of opening but of
enclosing within the material realm, but D 432 is the opening to the aether via the highest pitch F. Is that fair to say? _________________ If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.
— Nikola Tesla
Casting Out the Nines from PHI into Indigs reveals the Cosmic Harmonic Code.
— Junglelord. 

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aAzzAa
Joined: 03 Sep 2007 Posts: 1140

Posted: Fri Dec 05, 2008 7:31 pm Post subject: 


junglelord wrote:  WOW, nice stuff.
I am a drummer but read both drum notation and scale notation.
The study of harmonics in music is still a open box for me.
That really adds to my conception of this whole thing.
So the PHI relationship to A 432 is not a gateway of opening but of
enclosing within the material realm, but D 432 is the opening to the aether via the highest pitch F. Is that fair to say? 
Not everyday I meet a drummer with notation reading skills.:) I don't know how a drummer can have some ten different items to hit and look at notation at the same time. It's hard enough just with a guitar.
432 itself is the same frequency whatever note name it is given.
But what interested me about the D=432 is that I was told it would then align the correct colour/note name with things like chakras and the rainbow.
Placing the axis at F is to align the correct light/dark tonailty, and balance it around the Dorian mode. I think the real access points to the mirror side are at a 3 6 or 9 of various sequences of frequencies.
The primes 2 3 and 5 are also three Fibonacci numbers. As is 3 6 and 9, although not the usual fibonacci flow.
The whole point of correct alignment is that , yes, I do reckon the "fall" into duality is an imprisoning matter, and that nonduality is liberation and marriage of masculine/feminine within. I don't know if only A=432 is a culprit when it comes to alignment, but it may make sense to be as precise as is known one can be. If one wants to mix colour with musical tones, then there is a case that the mix is out of alignment.
Did you mention the fact you like to think about building machines built on the concept of sound? I'd love to build a "balancing" machine with resonaters, using Fibonacci number type sequences of pitches.
If you're up for a look I got a page here with a book that delves into mirroring music scales and number sequences, including Fibonacci and overtone cycles.:
http://homepage.ntlworld.com/lggl007/
Cheers
Lui 

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junglelord
Joined: 03 Nov 2008 Posts: 56

Posted: Fri Dec 05, 2008 11:31 pm Post subject: 


thanks, thats really great, I have already passed it on to the guitar players.
I look forward to reading the whole thing.
Cheers _________________ If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.
— Nikola Tesla
Casting Out the Nines from PHI into Indigs reveals the Cosmic Harmonic Code.
— Junglelord. 

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Raphael
Joined: 20 Aug 2007 Posts: 1337 Location: SpaceTimeVibration

Posted: Sat Dec 06, 2008 7:30 am Post subject: 


aAzzAa wrote: 
By applying As Above So Below to this scale, one simply reverses the flow of the tones and semitones
</>
F Gb Ab Bb Cb Db Eb F/F G A B C D E F

'f' as an archetype...how would it manifest in the mind of man/woman who apparently was connected to a divinity?
Stradivarius' work speaks for itself.
'f'
The note 'f' is actually placed on many string instruments ...
What appears as two 'S' scrolls 'facing each other' are actually references to the note 'f'...they are mirror images of each other, divided/separated by 'strings'.
(4 strings to be exact)
Could the two 'f's be viewed as reversals, mirror images?
The strings can be plucked/made to resonate, composing from either direction?
Quote:  People walking past Mozart's Tomb claim to hear 'strange music' coming from his grave...
However it was finally discovered that he was only de'composing'.

What is so strange if Art and Life are in fact participating in a creative dance called evolution/creation?
What would Stradivarius suggest as the meeting point that exists between Art and Life?
'f' @ 432 = ancient string theory?
'f' =
Stradivarius Violin
Quote:  While the sound of Stradivari's instruments still has not been fully explained by modern research tools, devices such as the scanning laser vibrometer are aiding researchers in testing the theory that the careful shaping of belly and back plate, in order to "tune" their resonant frequencies, may be an important factor.[11]
Glues and varnishes used by Stradivari have been analyzed extensively, and have also been attributed for the sound and quality of his instruments. There remains no consensus on the single most probable factor, and most likely, it is some combination of all, and something not yet recognized...
http://en.wikipedia.org/wiki/Stradivarius

...something not yet recognized?
Would you fellas disagree?
Art and Life are quite similar to Creation and Evolution.
And Creation and Evolution are defined by Religion and Science.
Call it Yin consciousness vs. the Yang.
Call it whatever you want.
In any language the message is the same.
Both are vital and necessary to achieve and understand balance, peace and unity.
That exists somewhere between the two 'f'?
And where did I come by my knowledge?
'f' University
The graduating adepts learning to adapt, and when they find themselves engaged with one of the sheeple people...remember your best response is still ...
Why don't ewe go 'f' U self, and find the music within...
namaste
Raphael _________________ KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
Albert Einstein 

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gritzle70
Joined: 27 Sep 2006 Posts: 72

Posted: Sat Dec 06, 2008 2:47 pm Post subject: The Separation of the Heaven from the Earth 


The Separation of the Heaven and the Earth
There are higher dimensional cosmic harmonics which have been hidden from us and reserved for the elites. There are the heavenly (higher dimensional) harmonics, and there are the earthly (synthetic) harmonics. Is this the real meaning of the "separation of heaven from the earth"?
Is the 2012 galactic alignment all about a "readjustment" or "retuning" of these cosmic harmonics?
Are the global elites trying to create global dissonance so that we will not be aware of the coming cosmic harmonic realignment?
Humans are asymmetrical chiral mobius coils. We create our own scalar waves. Can we become like gods if we have access to the higher dimensional harmonics? Can we create a selfsustaining resonance in sync with these higher dimensional harmonics (the complimentary opposites)?
What clues to we have that this might be true?
“The very definition of the Golden Mean or Divine Phi Ratio is that there is a pure and marvelous symmetry embedded in the numbers, shared wavelengths that can travel from the atom to the universe without being selfdestructed, in a sense that are immortal.”
“It means that this frequency of 108 is the hidden pulse, or rhythm that is the essence of the living mathematics of Nature.”
“John Worrell Keely apparently developed higher dimensional harmonic resonance technology based on the 3:4:5 triangle.”
“Table1, the parent table that is included herein allows the reader a glimpse of the power of such tables in providing numbers of historical significance all of which seem to be a part of Nature's grand design.”
“Marsilo Ficino passed on this Freemasonic secret when he divulged that the tetrahedron is really composed of equilateral triangles that themselves are two 3:4:5 Pythagorean triangles, resonating at the complimentary opposites of the Perfect Fourth and Major Third music interval. This tetrahedronpyramidfulllotus resonance is also called created a strong link out of many weak ties under the term “universality” or “chaos itinerancy.”
“The secret to solving this LTP conundrum is again alchemical resonance that most efficiently occurs through the yinyang, sinusoidal (or sine) wave of complimentary opposites. This secret is why the Tesla Coil only uses sine waves or harmonic waves and quantum chaos already acknowledges that the sine wave creates a “hidden coherence” that bends spacetime. The sine wave is the secret behind current fasterthanlight quantum electronics.”
“Through the Theosophist academic think tanks, several Professors have published research into the secret origins of this harmonic resonance higher dimensional knowledge. Dr. Abraham Seidenberg states that the concept of incommensurability or paradox of the infinite was established worldwide through human sacrifice altar rituals that maintained creation through the cosmic separation of heaven and earth.”
“The essential aspect of Plato's philosophy was the limitation of the Infinite Cosmic Mother into the finite geometrical Grand Architect or Great Geometrician of the Universe. This involved a conscious corruption of Pythagorean shamanicyoga based on complimentary opposites of infinite natural harmonics (Pythagoras' 1:2:3:4 is equivalent to OM and yin/yang).”
“The 3:4:5 triangle is the basis of the logarithmic music spiral that will be used to create the Matrix, according to the Theosophists and the CIA.”
Lost Secrets of the Phi Code*
PART 2 of 3
http://www.jainmathemagics.com/newsletter_lookup.asp?newsletter_id=27
"But the truth is, we have been duped, or dumbed down by the conventional learning institutions. The very definition of the Golden Mean or Divine Phi Ratio is that there is a pure and marvelous symmetry embedded in the numbers, shared wavelengths that can travel from the atom to the universe without being selfdestructed, in a sense that are immortal. Only the 1.618 ratio is fractal enough to ensure survival, as it knows how to be selfsimilar, embeddable, it knows how to be recursive in the micro and macro. That is, there must be a pattern visibly hidden somewhere in this infinite number. A useful image here is that of the nested Russian dolls, one within the other, from the small to the large, as a key to the DNA molecule and the spiral galaxies.
So let us say that everyone knows of the Fibonacci Sequence; but what you don’t know is how this sequence relates to Time Travel and is a true Time Code.
There are 16 Vedic Mathematical Sutras, and one of them is known as “Digital Compression” which simply means we “add the digits”, thus when we look at the Fibonacci Numbers: 1, 1, 2, 3, 5, 8, we notice that these are all single digits, which is our aim to express all the following digits as singularly reduced digits.
These 12 pairs of 9 have a sum of 108.
(Is it mere coincidence that the external angles of the Pentacle are 108 degrees!). It means that this frequency of 108 is the hidden pulse, or rhythm that is the essence of the living mathematics of Nature, it is the reason why the Vedas worshipped this number by incorporating it into their 108 rosary beads when they chant their most famous of all mantras, The Gayatri mantra, the most famous Eastern song or Prayer of Enlightenment which is always chanted 108 times, also has a rhythm of 24 syllables! What else embodies mathematically these two numbers 24 and 108. It can only be the Reduced Fibonacci Sequence.
Jain’s Lost Secrets of The Phi Code includes a lesson in xraying the Fibonacci Sequence: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144 etc to discover where the infinite phi expression has its underlying rhythm, a distinct periodicity of 24 recurring digits that can not be seen by the Western Mathematical Eye but only by the Truth of Vortex Mathematics expressed as Vedic Mathematics!"
(Is this the “lost” harmonic?)
The Significance of The Lost Cubit In The Design Of The Tesla Shield™
http://www.lifetechnology.org/teslashield.htm
"The Lost Cubit is a previously unknown cubit length which fills a harmonic gap between the Sacred and Royal cubit lengths of Ancient Egypt. Research and calculations made by Becker indicate that the Lost Cubit may well have been deliberately omitted from ancient records due to its important and powerful esoteric significance.
The Lost Cubit is derived from the sum of the polar and equatorial circumferences of the Earth divided by the speed of light. The Lost Cubit therefore relates to cosmic harmonics in a special way. Due to its dual ability to resonate with cosmic energy frequencies and earth energy frequencies, The Lost Cubit is the secret key to extraordinary health and extreme longevity.
The Lost Cubit has a natural resonant frequency of 177 megahertz which corresponds to the frequency of DNA, thereby facilitating DNA repair and the capability of consciously controlled DNA activation and ascension. It is becoming more widely accepted by scientists that DNA acts as an antenna for light energy, and therefore the harmonic frequencies of light and The Lost Cubit in particular are vitally important aspects of the equation."
Conjoined Values of the Royal Cubit & the Golden Ratio
"Unearthed" from First Twelve Terms of Fibonacci's Series
http://www.worldmysteries.com/jto_article2.pdf
"A small booklet published in 2000 by this author reveals an intriguing discovery, or quite possibly a rediscovery of ideas from an earlier time, that allowed tabularization of the Fibonacci series into selflimiting columns and rows of one, two and three digit numbers. A process termed number distillation that is often referred to as "the casting out of nines" is responsible for, and allows, the allimportant selflimiting aspect of the tables that were created. The column and row sums, as well as specific numerically marked area summations, proved in most cases to provide historically significant numbers that were oft times repeated in other of the tables. Table1, the parent table that is included herein allows the reader a glimpse of the power of such tables in providing numbers of historical significance all of which seem to be a part of Nature's grand design."
(Here is key to yet another hidden harmonic relationship.)
Descartes' Secret Notebook
"Johann Kepler visualized a universe founded upon geometrical solids. The image at left depicts planetary orbits having ratios tied to such platonic solids as the cube and the tetrahedron.
This concept of a mathematical foundation for the universe is explored in a fascinating book by Amir D. Aczel, Descartes' Secret Notebook (ISBN: 0767920333). Enlivening the theme is a journey through the secret life of French philosopher and mathematician Rene Descartes.
The secret notebook, entitled De solidorum elementis, contained apparent gibberish: astrological signs and a series of numbers: 4 6 8 12 20 & 4 8 6 20 12.
Gottfried Liebniz, in a flash of insight, understood the message of the secret notebook: F+VE=2. This was a universal formula deduced from the cryptic series of numbers, 4 6 8 12 20 & 4 8 6 20 12. Aczel, in Descartes' Secret Notebook, explains.
There are five platonic solids: the tetrahedron, cube, octahedron, dodecahedron, and icosahedron. These five platonic solids equate with the five medieval elements: earth (cube), water (icosahedron), air (octahedron), fire (tetrahedron), and aether (dodecahedron). The platonic solids are unified through the formula F+VE=2. Here is how:
The number of faces of the platonic solids are, respectively, 4 (tetrahedron), 6 (cube), 8 (octahedron), 12 (dodecahedron), and 20 (icosahedron). This matches Descartes' first string of seemingly random numbers.
The number of vertices (corners) of the platonic solids are, respectively, 4 (tetrahedron), 8 (cube), 6 (octahedron), 20 (dodecahedron), and 12 (icosahedron). This matches Descartes' second string of seemingly random numbers.
The number of edges of the platonic solids are 6 (tetrahedron), 12 (cube), 12 (octahedron), 30 (dodecahedron), and 30 (icosahedron), realized Leibniz.
What is universal here is the sum of the faces and the vertices, minus the edges, is always equal to two. This applies not only to the platonic solids. Hence the universal formula, F+VE=2
Descartes secret formula, decoded by Leibniz, is a topological invariant; it is, writes Aczel, "a property of space itself."
Mobius Coils
http://www.loohan.com/mobius.htm
"Scalar waves are produced when two electromagnetic waves of the same frequency are exactly out of phase (opposite to each other) and the amplitudes subtract and cancel or destroy each other. The result is not exactly an annihilation of magnetic fields but a transformation of energy back into a scalar wave. This scalar field has reverted back to a vacuum state of potentiality."
(To understand the secrets of the aether, one must know about scalar waves. Scalar waves are acoustic (pressure) waves. They are also called magnetic flux waves, gravitational waves, torsion waves, or Tom Bearden’s SEP waves.)
Creation, Transmission and Reception of Vibrations
http://www.svpvril.com/DPANEtxt.html
"We can see that rotation is a natural phenomenon. The very existence of a longitudinal or transverse wave train gives rise in a natural form to a third vibratory component that easily and effortlessly rotates about and with the longitudinal and transverse wave trains.
Under our studies we see three distinct vibration modes or types of vibrations: 1) Longitudinal or straightline; 2) Transverse, Shear or zigzag; 3) Lamb, Love, Surface, Raleigh or vortex waves. Each of these vibration forms are composed of the three polarizations of positive, negative and neutral phases or states of a vibration.
Controlling the negative attractive (harmonic, female) and/or the positive propulsive (enharmonic, male) phases of the three fundamental modes is a feat postulated among the roots of applied Sympathetic Vibratory Physics. The control of these will result in the control of the Neutral or Dominant (scalar).
The Dominant (neutral) polarization is the same as what has been called by Bearden the "scalar potential."
These are pure waves of spacetime, and they are oscillating curvatures of spacetime itself. They are pure waves of compression and rarefaction of the massless charge of spacetime, and are properly represented as longitudinal waves rather than transverse waves. Thus they are nonHertzian in nature. Among other things, they may be used to generate mass and inertial fields directly."
For our work we only need to substitute into the above ‘acoustic waves’ and we have a very accurate definition of Keely's Dominant or Neutral third leg of the polar forces.
This neutral pole has within it pure (vibratory) energy in a potential state (neutralized, latent). This is a result of the perfect balancing of the two harmonic (= magnetic) and enharmonic (= electric) flows. These two then, perfectly balanced together  becoming One  is the Dominant, scalar or third point of the triangle.
Quaternions describe mathematically the structure of Keely's triple streams or concordant flows as he called them when harmoniously balanced thus becoming his Full Harmonic Chord. This triple flow is then an undifferentiated flow as a scalar phenomenon."
(Humans are Mobius Coils)
Scalar Waves and the Human Mobius Coil
http://www.redicecreations.com/specialreports/2006/08aug/mobiuscoi.html
"The body is also constantly generating these universal scalar waves. Scalar waves are produced when two electromagnetic waves of the same frequency are exactly out of phase (opposite to each other) and the amplitudes subtract and cancel or destroy each other. The result is not exactly an annihilation of magnetic fields but a transformation of energy back into a scalar wave. This scalar field has reverted back to a vacuum state of potentiality. Scalar waves can be created by wrapping electrical wires around a figure eight in the shape of a möbius coil. When an electric current flows through the wires in opposite directions, the opposing electromagnetic fields from the two wires cancel each other and create a scalar wave.
The DNA antenna in our cells’ energy production centers (mitochondria) assumes the shape of what is called a supercoil.3 Supercoil DNA look like a series of möbius coils. These möbius supercoil DNA are hypothetically able to generate scalar waves. Most cells in the body contain thousands of these möbius supercoils, which are generating scalar waves throughout the cell and throughout the body.
There is another möbius coil configuration found within the vascular system. The continuous flow of blood through the arterial system—which runs next to the venous system but in opposite directions—contains möbius coil properties. The circulation of blood throughout the body resembles the figureeight shape of the möbius coil."
(A very ancient conspiracy)
The Actual Plan for the Matrix: Incommensurability, Harmonic Resonance, and the Religion of Technology
http://nonduality.com/hempel.htm
"Through the Theosophist academic think tanks, several Professors have published research into the secret origins of this harmonic resonance higher dimensional knowledge. Dr. Abraham Seidenberg documents the origins of the Pythagorean Theorem as far back as 3,000 B.C. in Vedic India. Seidenberg states that the concept of incommensurability or paradox of the infinite was established worldwide through human sacrifice altar rituals that maintained creation through the cosmic separation of heaven and earth.
A cognitive approach" documents that a radical transformation occurred in science and philosophy with Plato and his colleague, the military general and mechanical engineer Archytas. The essential aspect of Plato's philosophy was the limitation of the Infinite Cosmic Mother into the finite geometrical Grand Architect or Great Geometrician of the Universe. This involved a conscious corruption of Pythagorean shamanicyoga based on complimentary opposites of infinite natural harmonics (Pythagoras' 1:2:3:4 is equivalent to OM and yin/yang).
The method of the Matrix is containment of the threatening natural resonance of the Cosmic Mother, then destruction, then standardization through dead artificial intelligence.
The first example of this religion of technology is the creation of the square root of two. There is no actual proof for the square root of two! It is an illusion and a deceptive charm of "the power set axiom." The first proof that approximated the square root of two was the "squaring of the circle." The Vedic priests, as far back as 3,000 B.C., demanded that altars be patriarchal squares, and that matriarchal female circles were heretical. If circle altars were built they had to be the same area as the squares. The squaring of the circle is a central theorem to the Freemasons. The second proof that necessitated the containment of the Cosmic Mother was the doubling of the cubical altar.
By combining the Pythagorean harmonic proportions with the geometry of India, Archytas was able to give a proof for the square root of two that also enabled standarization or equaltemperment of the octave music scale. In other words this proof extended the Yin/Yang, OM, Pythagorean harmonics into greater dissonance by containing the infinite to a three dimensional object of geometry. The result enabled analytic geometry and inverse proportions, central to western science, to be achieved. Unfortunately the technology is inherently against the natural harmonics of reality. Also in ancient China it was remarked that those who know the 3:4:5 triangle, based on the Golden Section and the Major Third music interval, could rule the world. Any supposed "sacred geometry" that is based on the square root of two is really just a promotion of destructive technospirituality.
In my research I was able to reconstruct the secret proof of Archytas that enabled the creation of western science from music theory. Also John Worrell Keely apparently developed higher dimensional harmonic resonance technology based on the 3:4:5 triangle. Keely's harmonic resonance findings demonstrated levitation, disintegration, and energy generation. The 3:4:5 triangle is the basis of the logarithmic music spiral that will be used to create the Matrix, according to the Theosophists and the CIA.
Continually throughout the research of the Theosophist analysts, it is clear that their goals can only be achieved by nondual mindbody yoga. Therefore the plan for the Matrix, although it may destroy the planet, will never be successful. Alwaysalready the Cosmic Mother will be waiting to embrace those who practice shamanicyoga nonduality."
(The Free Masonic Conspiracy)
Soliton and Free Masonry
http://www.gnn.tv/threads/5919/soliton_and_freemasonry
"This article summarizes the essential scientific concepts behind the plan to literally transform the whole planet into a superconductive holograph that bends spacetime.
The secret behind freemasonic science is that it is governed by resonance which is not “mathematizable.”
The application of quantum chaos is really a “rendering” best epitomized by the secretive Mad Cow epidemic which twists the normally leftdirected carbon proteins into rightdirected silica proteins better suited for holographic superconducting computations.
The human brain is far more powerful than any supercomputer due to the vast interconnections of synapses. Science is still baffled by what’s called “Long Term Potential” — the ability for the brain to increase synapses through stimulation that combines frequency and amplitude.
The secret to solving this LTP conundrum is again alchemical resonance that most efficiently occurs through the yinyang, sinusoidal (or sine) wave of complimentary opposites. This secret is why the Tesla Coil only uses sine waves or harmonic waves and quantum chaos already acknowledges that the sine wave creates a “hidden coherence” that bends spacetime. The sine wave is the secret behind current fasterthanlight quantum electronics.
The brain is actually powered by spirochete proteins — microtubule corkscrews — that can twist right or left directed, even though almost all life on earth is leftdirected and carbon based. When the rate of change between frequency and amplitude is close to zero, the secret of quantum chaos science, then a selfsustaining resonance occurs.
Riemann documented that the inner ear of the brain achieves resonance of superconductive holographic power through what he called “the method of projective invariance.” The inner ear method was considered to be the best technique for bending spacetime by Buddha, Swedenberg and William Blake, among others.
The inner ear was originally the collapsible reptilian jaw and the inner ear concentrates melatonin enabling the early nocturnal tree mammals to have better night perception. Focusing the sound inward creates antigravity quantum chaos that opens to the pineal gland of the reptilian brain. The inner ear “smiles” as the reptilian jaw of the cerebellum from the bliss of the melatonin, the most powerful superantioxidant of nature. The melatonin then resonates into DMT — the “spirit” molecule — that bends spacetime.
Freemasonic scientists are overtly transforming all of leftdirected carbonbased life into rightdirected silicabased “synthetic ecology” because this is a quantum chaos resonance of what science calls “racemization.”
This goal of the Freemasonic transhumanists is dependent on the natural “diffraction gradients” of early life that create bioluminescence. Superconductive quantum chaos is based on aligning the ions of plasma, the most common state of reality in the universe, with the ions of matter — this is the diffraction gradient which is equally spaced but also creates complimentary opposites of energy and mass.
Water is the pivot point of racemization between silica and carbon. Water is a quasicrystal that has a stable tetrahedron structure based on Freemasonic geometry enabling achievement of the secret of quantum chaos — “stronger amplitude at a lower frequency.”
Marsilo Ficino passed on this Freemasonic secret when he divulged that the tetrahedron is really composed of equilateral triangles that themselves are two 3:4:5 Pythagorean triangles, resonating at the complimentary opposites of the Perfect Fourth and Major Third music interval.
Nanoengineered water is the new revolution relying on a huge increase in surface area for better and faster filtering of ocean salt and toxic waste. The “wettability” of water is being increased through nanotechnology — engineering atom by atom — so that quantum chaos can have more efficient “drug delivery.”
SilicaDNA biochips will be increasingly implanted so that the amplitude of the bodymind can be stronger.
The idea is to use ionizing radiation in chronobiology resonance with sunspot cycles to create “acoustic cavitation” — the natural overtones of the Forced Atomic Microscopes and the cold fusion generators — so that a new quantum chaos silica Alife will evolve out of humans.
The soliton is the quantum chaos sine wave that achieves antigravity and is therefore literally the image of eternity referred to by Plato. The Freemasonic alchemy goal is to transform the whole planet earth into a fasterthanlight soliton utilizing positronium (electronposition coupling) to create “mirror matter” that passes through black holes.
Electrons can store infinite information as ones and zeros inside their antimatter black holes — positrons. Quantum chaos has discovered that Saturn (Time) and Jupiter (Space), over tens of millions of years, resonate at 2:5 orbit in the same plane, launching asteroids that resonate at 2:3 at planet Earth. This 3 dimensional spacetime resonance of Saturn and Jupiter caused the global destruction at 65 million years ago. 3dimensional space is actually the 4:5 resonance between Saturn and Jupiter or between the tetrahedron water molecules. When the pineal gland of the reptilian brain resonates into quantum chaos superconductive holography then the bifocal 3dimensional dependence of humans is overcome and the image of eternity is achieved."
http://www.crystalinks.com/fibongoddesses.html
In the beginning was the Word (sound). The Divine Musician created the entire Universe using frequencies. The keys to understanding these cosmic frequencies can be found in the relationship between the Divine Phi Ratio and the Fibonacci sequences. I believe these frequencies can be plotted along the Golden Spiral which represents a vortex. The spiral movement can be viewed as flowing outward from or inward towards the center.
Those who understand the 3, 6 & 9 (the cosmic frequencies) are masters of the Universe because they would know how to create a universe out of sound.
Meet the 12 Fibonacci Goddesses
GODDESS 1  SOUND
GODDESS 2  LIGHT
GODDESS 3  COLOR
GODDESS 4  GEOMETRY
GODDESS 5  MOTION
GODDESS 6  TREE OF LIFE
GODDESS 7  THE HEAVENS
GODDESS 8  PHYSICAL REALITY
GODDESS 9  EMOTION
GODDESS 10  BALANCE
GODDESS 11  TIME
GODDESS 12  STARGATE
Hello, Junglelord.
Last edited by gritzle70 on Sat Dec 06, 2008 11:39 pm; edited 3 times in total 

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gritzle70
Joined: 27 Sep 2006 Posts: 72

Posted: Sun Dec 07, 2008 1:13 am Post subject: Possible Explanation for the EightPointed Star 


To understand the secrets of the aether, one must know about scalar waves. Scalar waves are acoustic (pressure) waves. They are also called magnetic flux waves, gravitational waves, torsion waves, or Tom Bearden’s SEP waves.
I am not sure if this is an accurate, but EM forces are orthogonal. Could this mean that scalar waves intersect them only at 45 degree (axial) angles? Is this the basis for the eightpointed star?
Electromagnetic and Gravitational Waves
http://www.gothosenterprises.com/gravitational_waves/parallels.html
I've always heard people say that a light ray, and electromagnetic wave, is an oscillating electric field perpendicular to an oscillating magnetic field, but that didn't make sense. How could they be perpendicular?
Among engineers and physicists there is this love of something called the 'right hand rule.' This particular rule tells you how to figure out which way the magnetic field is going, and, thus, what it looks like. The direction your fingers are curling inthat's the magnetic field generated by the current in the wire. You notice something? That magnetic field is perpendicular to the current.
Now, say you have this light ray. What really happens is that it generates an electric field in one direction (let's say the xaxis of a traditional coordinate plane), which generates a magnetic field perpendicular to that electric field, which in this case would be along the yaxis of that coordinate plane.
Just like the electromagnetic wave has two directions of oscillation (the electric and the perpendicular magnetic), so does the gravitational wave. These waves instead of being 90 degrees apart (perpendicular) are 45 degrees apart. Okay what happens with the oscillations?! I called it earlier 'left and right and up and down.
When it strikes an object, this wave initially compresses itself horizontally and stretches it vertically. Then it reverses and stretches horizontally and compresses vertically. It alternately stretches and compresses in perpendicular directions. Nothing happens along the two diagonal directions. This is traditionally called the plus polarization.
When this one strikes an object, it does the same alternating compressionperpendiculartoexpansion just like the other one, but the direction of compressing and stretching is along diagonal lines 45° off axis. Take the x y axis and tilt it 45° this oscillation affects objects along the new x and y axes and changes nothing along the old x and y axes.
If I were to be accurate each time I described the wave, I'd have to say 'diagonal with a negative slope and diagonal with a positive slope' every single time so, if the analogy to a gravitational wave held, that would mean that the gravitational wave oscillates with fields of stronger and weaker gravity. This diagonal axis oscillation is traditionally called the cross polarization.
So, you see, the two waves are similar in that they both affect objects perpendicular to the direction in which the wave is going. They are also similar in that the electric and magnetic fields are perpendicular to one another, just as the compression and expansion are also perpendicular to one another.
Experimental Investigation of New Longrange Actions
http://www.amasci.com/freenrg/tors/doc17.html
Torsion fields are generated by the classical spin, or by the spin angular momentum density (on a macroscopic level). Torsion fields' characteristics differ substantially from the characteristics of electromagnetic and gravitation fields. Torsion fields have axial symmetry, unlike electromagnetic and gravitation fields that have central symmetry. There exist both right and left torsion fields (depending on the classical spin orientation or rotational orientation).
More on Scalar Waves
They are referred to here as gravitic waves; but I suggest they are acoustic waves from the hyperdimensional realm
TWELVE THINGS YOU SHOULD KNOW
ABOUT SCALAR WEAPONS
http://www.angelfire.com/oz/cv/scalarweapons.html
Scalar wavelengths are finer than gamma rays or X rays and only one hundred millionth of a square centimeter in width. They belong to the subtle gravitational field and are also known as gravitic (acoustic) waves. Uniquely, they flow in multiple directions at right angles off electromagnetic waves, as an untapped energy source called 'potentials'. Potentials are particles which are unorganized in hyperspace  pure etheric energy not manifest in the physical world. In comparison, electromagnetic waves (measured by so many hertz or pulses per second, which we are familiar with e.g. radio waves) exist normally in the physical world, but can only be measured up to levels determined by the sensitivity of the equipment being used as to how many cycles per second they operate.
These finer scalar waveforms also have been discovered periodically by other mathematicians, who have been able to calculate new equations especially in harmonics (used in hyperdimensional physics) connecting the wavelengths of matter, gravity and light to each other and how all these lock in and create our expression of time (as it manifests in space)  which has been now discovered to be untapped 'potential' energy flowing in hyperspace. Time flows like a waveform river in hyperspace in a grid pattern. This consists of interlocking great circles which circle the poles and include a lattice grid of lines that are 30 nautical miles or 55.5 km apart. When scalar beams charge through hyperspace these 'rivers of time' get blocked and redirected temporarily.
Our present 'reality' is expressed in the way time runs around the corridors in hyperspace by the pattern it takes. Other 'timelines' exist in a different kind of grid pattern, creating alternative versions of our 'present'. Multiple versions of reality can be manipulated given the right technology, and people can enter into parallel universes do all sorts of things and then enter back into this one
The various dimensions each comprise a complex pattern of interlocking waveforms. Matter has been found to be only one wave of a pulse comprising a positive cycle, while the negative cycle manifests as 'antimatter'. The 'matter' pulse brings something 'into' physical visibility; then it disappears momentarily and returns. But the pulses are so rapid we don't see something as unmanifest while temporarily dematerializing. Physical time is only measured by the visibility of something's aging process, or in other words its passage through a journey starting at one measured timereference point to another.
Different waveforms only appear to us to be solid because we are comprised of the same matter. If the frequencies governing the time between a matter pulse and an antimatter pulse are shortened or lengthened with technology, time will go faster or slower in the surrounding space or what it effects. Therefore scalar waves belong to spacetime in which antimatter or hyperspace exists. Time can be altered by harnessed and directed scalar waves (including magnets which give off scalar waves which bend time) because they disrupt the pulse of matter and antimatter and therefore the rate at which something normally passes through time with its usual smoothness.
Scalar 'potentials' can be created artificially and when focused into a weapon, can do major damage to an object's location in spacetime. That which determines the object's natural pulse of matter and antimatter cycle can become stressed when targeted by scalar waves made of artificial potentials, because they are almost always absorbed by the nucleus of an atom, not the electrons in orbit. Hyperspace can become warped temporarily, although spacetime naturally curves around natural vortexes the earth has which form 'chakras' to absorb and release universal energies. These are opened and closed in natural cycles according to the positions of the sun and moon in relation to earth.
Because scalar waves are finer than gamma waves they can pass through any physical substance undetected. However the damage inflicted can be so powerful that they can dislodge an object right out of time and space and cause it to temporarily disappear away from its normal movement in time.
All objects move in time, and they will also move in space if a physical external force activates the object's own natural internal scalar waves to point in the direction it is sent to causing it to move from A to B depending on how much force is used. Or they are trapped motionless in space by the internal scalar energy within swirling around interlocking into a deadlock, (making it appear still) however the object still moves in time. A beam of scalar energy can cause the timeframe the object resides in to get warped, making it disappear into another reality.
Particles which are unorganized in hyperspace (potentials) can be harnessed into recreating multiple frequencies of scalar waves and these can now be manufactured artificially and can include frequencies between infrared and ultraviolet. If a transmitter is at a higher reference 'potential' than the interference zone of 2 crossed scalar beams, energy emerges into the plasma 'bottle' which materializes physically and this is called 'exothermic' mode. This can cause explosions and can be 'nuclear like' if set at a high frequency. Even though no electromagnetic energy has flown through space between the transmitters and the target, and because it has bypassed physical space, the energy can suddenly appear faster than the speed of light and destroy something without warning. It is only as a locked in artificial potential that is a directed 'river of force' in hyperspace and it is entirely undetectable with conventional scientific equipment, which is where the danger lies.
When 2 transmitters send timed pulses, which meet, an explosion will occur which either produces energy or extracts it. If 2 crossed beams are in 'continuous' mode the energy between beams is continuous and Tesla globes and hemispheres can be made which act as a continuous shield to either destroy incoming weapons and aircraft entering it. If multiple frequencies are transmitted on the beams, at the intersection a 3 dimensional globe appears.
(Gravitational waves are scalar acoustic waves)
Creation, Transmission and Reception of Vibrations
http://www.svpvril.com/DPANEtxt.html
The Dominant (neutral) polarization is the same as what has been called by Bearden the "scalar potential."
These are pure waves of spacetime, and they are oscillating curvatures of spacetime itself. They are pure waves of compression and rarefaction of the massless charge of spacetime, and are properly represented as longitudinal waves rather than transverse waves. Thus they are nonHertzian in nature. Among other things, they may be used to generate mass and inertial fields directly."
For our work we only need to substitute into the above ‘acoustic waves’ and we have a very accurate definition of Keely's Dominant or Neutral third leg of the polar forces.
This neutral pole has within it pure (vibratory) energy in a potential state (neutralized, latent). This is a result of the perfect balancing of the two harmonic (= magnetic) and enharmonic (= electric) flows. These two then, perfectly balanced together  becoming One  is the Dominant, scalar or third point of the triangle.
Quaternions describe mathematically the structure of Keely's triple streams or concordant flows as he called them when harmoniously balanced thus becoming his Full Harmonic Chord. This triple flow is then an undifferentiated flow as a scalar phenomenon."
FASTER THAN A SPEEDING LIGHT
http://home.gwi.net/~erichard/fastlit.htm
What are these longitudinal waves and how might they function? As noted previously, T.J.J. See pictured an incessant bidirectional, gravitational, wavestress, interlocked, corkscrew tension in the aether. The Russian torsion field researchers describe them in at least three types of electric fields, spin fields, and bidirectional gravity fields. There are many common frequencies associated with all spherical structures.
THE PHYSICS OF Phi,
Compression, Implosion, Gravity, Time, and Love
http://caltek.net/dan/connectivity/phibiz/physicsofphi/PhysicsofPHI.html
Wave mechanics essentially means that to understand waves is to understand mass. Mass is the inertia we measure when waves cross and store spin. The difficulty in understanding the field among waves, as a unified field, is to visualize and model how implosion is the link between gravity and magnetism. The key to understanding implosion, is to see that the geometry of implosion is everywhere the same.
Therefore any principle which enables waves to optimize spin density is the key to mass density, information density, and awareness density.
It is the nature of waves when they meet in the universal compressible substrate (ether), to beat and interfere. The key to compression/implosion is how these waves can interfere infinitely with never any destructive loss of inertia, spin, and pattern. Otherwise spin and pressure density is not self organizing or sustainable.
Noble Realms
http://forum.noblerealms.org/viewtopic.php?id=3992
Another thought along these lines is the concept of scalar waves. Could these be correlated to gravitational waves?
One paper I read recently compared gravitation/electrostatic/scalar waves as a longitudinal motion through a structured latticelike vacuum or aether, whereas light would be a transverse motion though the same medium. Energy from a transverse waveform (i.e. light, EMF), longitudinal waveform (i.e. gravity waves, electrostatics, scalar) and the potential of the medium itself. This is essentially Maxwell's idea of an "elastic medium" where lines of force pervade. In this view, the speed at which a longitudinal waveform travels need not be the same as the speed at which a transverse waveform travels. In other words, gravitation waves could travel many times faster than the speed of light.
Last edited by gritzle70 on Sun Dec 07, 2008 2:10 pm; edited 4 times in total 

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