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Rabbi Yitzchak Ginsburg Shlita on 137, 256 & 512
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Optimist777



Joined: 12 Sep 2011
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PostPosted: Wed Mar 07, 2012 4:30 pm    Post subject: Reply with quote

Any harmonic series or scale has a base frequency from which all its harmonics are derived. This base tone is called its fundamental or key note. In the chart a subharmonic of the musical note "C" is used as the fundamental or foundation upon which are self-generated a series of harmonics. This note has a frequency or rate of vibration of 256 cycles per second (cps) or a suboctave harmonic of middle "C". The little squares contain a number representing the relative amplitude or power of this note compared to the other notes soon to be introduced.

As a natural process of creative force this fundamental tone will vibrate and this vibration will divide itself into its own superharmonic of 512 cps (2 X 256) which will in turn divide ad infinitum according to natural law. Concurrently the number will also resonate and be sympathetic with subharmonics of 128, 64, etc. This process of dividing into smaller and smaller wavelengths is creative and evolutionary and according to the Law of Harmonic Vibrations:

"All coherent aggregates are perpetually vibrating at a period-frequency corresponding to some harmonic ratio of the fundamental pitch of the vibrating body; this pitch is a multiple of the pitch of the atomole [a subatomic unit]." John Keely



This new frequency of vibration is the octave harmonic of the fundamental (2 X 1) and is shown placed in the 2nd octave row directly above the first "C1" vibrating on the 1st octave row. The same process continues to unfold for virtually uncountable octaves creating higher and higher frequencies in ever more rising octaves. We will refer to this second "C" as "C2" and so forth for each octave.

So far so good, we have a harmonic series born from the lone "C" stretching into infinity both above the progenitor as super harmonics and below it as subharmonics. So in the beginning there was One.... C1 is the creator of C2 which is the created and so forth. This family of "Cs" are all related by number and this relationship of number can be discovered by factoring and multiplying.

256 factors into: 1X2X2X2X2X2X2X2X2. With this it can be seen the "C" family "gene" (factors) is constructed of a 1 and eight 2s or reduced to simply 1 and 2. The number 1 will be seen to be shared by all other numbers since all numbers contain 1. One is the ultimate Progenitor having its essence in every thing that was created from it. Therefore One permeates all vibrations equally everywhere and is sympathetic to them all equally.

Vibrations are dynamic things not unlike living things. They are creative and evolutionary simultaneously. They are active and prolific in their dynamics as are their harmonic offspring. These discrete tones of the harmonics interact with each other as they intermingle. Being primarily number oriented they will, in a very natural way mix, merge and divide among themselves just like living cells as detailed in the Law of Cycles already mentioned, the Fibonacci series or Golden Mean and according to the Law of Harmonic Pitch:

"Any aggregate in a state of vibration develops in addition to its fundamental pitch a series of vibration in symmetrical sub-multiple portions of itself, bearing ratios of one, two, three, or more times its fundamental pitch." John Keely

C1 will add its numerical value to C2 and create a third number: 768 cps, which in terms of "Cness" means little. But in relative terms it can be seen the 768 is 3 times the original C1 of 256 cps while 512 cps is 2 times the Creator pitch. These terms of degrees of relativity are then 3 is to 2 as 768 is to 512 . The 3:2 (768:512 reduced to their least common denominators) ratio is a musical ratio of a Perfect Fifth. In this first ratio of spontaneously created harmonics we can see how a base tone gives rise to a naturally occuring harmonic that is identical to two musical notes representing a perfect musical interval of a Perfect Fifth.

768 factors into: 1X2X2X2X2X2X2X2X2X3. The "G" family "gene" is contructed of a 1, eight 2s and a 3. Reduced down we see a Fibonacci connection to the "C" family being 1 + 2 = 3 thus deriving all three "genes" or originating substance of the family. The Fibonnacci series was developed as a result of analysis of the reproduction rate of rabbits, living things. And in these musical notes we see the same genre of self-replicating activity playing throughout the universe.

Taken from: http://www.svpvril.com/musicuni.html

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Optimist777



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PostPosted: Wed Mar 07, 2012 7:15 pm    Post subject: Reply with quote

Did the Egyptians know about this natural re-appearing magical sequence, and does it link harmonically with the Pi Ra Mid's? David Jay Jordan makes some very good points on his webpage. The tri-tone F# sharp may be the magical key that unlocks the mystery's of antiquity, Lui Di Martino would surely agree. Maybe Raphael was right about sound all along, and it's been heavily tampered with because of it's available balanced connection with light and to our cellular structure & DNA? David even includes some thoughts on 137. Wink

Quote:
The Khufu Pyramid Stone Quartz Frequencies ... In the 1920's it was discovered that quartz crystals resonate at 32,768 khz. Seeing that the Great Pyramid of Khufu or Cheops Pyramid, is made mostly of limestone, which stone crystal matrix is mostly quartz, I developed a premise that the whole pyramid was set to resonance with some unique technique I named in the file We find that the quartz frequency 32,768 khz is a multiple of 2.

We can then use base 2 and make two separate interpretations about the resonant frequencies of vibrating quartz. Moreover, we have an insight into what the operators of the Khufu pyramid might have experienced: Source of frequencies Divided down, we find the base number is 2 Multiples of 2 are 4, 8, 16, 32, 64, 128, 256, 512, 1024, 2048, 4096, 8192, 16384, 32768, the fractal frequency of quartz. So we might conclude that quartz resonates as a binary crystal, meaning that its resonant frequency is a multiple of its base 2.

An engineer named Tom Danley who has an interest in sonic phenomena made some intriguing discoveries relating to the great pyramid, especially the Kings Chamber. He measured its dimensions and those of five rooms, (the so called relieving chambers) located above the Kings Chamber. He then installed powerful amplifiers and speakers inside the Kings Chamber, created sounds and measured the resulting standing frequencies generated within the five chambers. The frequency measured within the rooms was 16Hz, which is below the range of human hearing; from this he created a fascinating theory.

This was: the dimensions of the pyramid, plus the materials from which it is made, combined with the empty sarcophagus within the kings chamber were designed for one specific purpose. This was to amplify whatever sounds were made within the Kings Chamber....Tom detected a distinct pattern to the frequencies; this pattern was identical to the tonal structure of the F-sharp chord. The ancient Egyptians in their texts tell us that they believed F-sharp to be the harmonic frequency of our planet.

The Kings Chamber in the great pyramid resonates very strongly to an F# chord, and the Kings Chamber coffer resonates to A, which is the Minor third of F#.

A 440 hertz lower octave 110 ratios 44 22
F sharp 740 hertz 185 ratios 74 37


http://www.davidjayjordan.com/SonicStoneLevitation.html


440 vs 432

-8 vs +8 ??

I hear that 110 is the yoking number, I see this occurring at the cellular level and in sound frequency. We can see that 440 & 110 are numerically and harmonically compatible, more proof that not only hands can yoke ya, but the freq frets will as well. Laughing

But why did they set the King's granite (110 Hz) coffer to that dreaded frequency?

Quote:
The outer width and length are in ratio 7 : 3, which can be expressed in another manner as a square of 3 units aligned with the Pythagorean triangle 3-4-5. The module that fits 3 and 7 times in the width and length of the coffer is as represented on the illustration is 13/3 of a palm or a seventh of 13/3 of a royal cubit. This module is dividing the royal cubit according to the Golden Section's ratio 1.618.



http://www.aiwaz.net/king-chamber-coffer/a22


32,768 khz seems to be another sacred frequency, the pyramids are made of limestone which primarily exists out of quartz.
The frequency of quartz is 32.768Khz. Finding the octave dividing by 2, you'll find it is a higher octave of the Schumann frequency which is 7.8125 Hz!

"Approximately 7.81 Hz corresponds with what is understood to be the rate of vibration of the electromagnetic field thrust upward from the earth." – Dr. Sheldon Lewkis
http://www.urigeller.com/content/research/houck2.htm

Quote:
The output can be fed to a 15 stage binary counter to obtain a 1 second square wave.
http://www.eleccircuit.com/32768-khz-oscillator-using-a-watch-crystal/


More then inclusive to the Egyptians, some ancient cultures believed that F# sharp (369.99 Hz) was a magical note. (scientists believe that F-sharp could somehow levitate the limestone structure) We can round this up to 370 Hz. Wink

http://musictheorysource.com/note/f-sharp

Maybe the balanced F#Sharp can be used for meditative purposes as well?
Also, 729hz is a perfect F# when A is tuned to 432hz. Wink

Quote:
Hawk123:

729 is related to the sun and (432 x 1000) is the radius of the sun in miles.

729 is explained on link:

http://www.revelation2seven.org/WebPages/Chapter9.htm

Search the word Cephas on above link and you find a cube of 9 x 9 x 9 and a square of 27 x 27

729 is both a cube and a square number.
Each year has 365 days and 364 nights = 729.
729 should be read in music as 729 Hertz.

The number 729 is found to be of great importance all through the Pythagorean system. Plutarch states that this was the number belonging to the sun, just as 243 was ascribed to Venus, 81 to Mercury, 27 to the moon, 9 to the earth, and 3 to Antichthon (the earth opposite to ours). These and many similar numbers were derived from one of the progressions of the Tetractys, 1 :2 : 14 :8 and 1 13:19 127. The figures of the above proportions were combined by Plato into one series, i, 2, 3, 4, 9, 8, 27. (Timaeus, 35). Plutarch in his "Procreation of the Soul," which is simply a commentary upon Plato's "Timaeus"



Arrow http://www.youtube.com/watch?v=jWkMhCLkVOg

So if 729 hertz makes the regular F sharp, then if via Pythagorus Constant or the constant that harmonizes the Sun and Moons rotations via their timing around the Earth 365.24/360 = approximately 1.014 then it yield's 739.26 Hz, so if taken to more exactness when we round up, it then exactly equal's 740 Hz and the 370, 37 and 74 Hz. Very Happy

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Optimist777



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PostPosted: Thu Mar 08, 2012 6:12 pm    Post subject: Reply with quote

Lui on the 4.5 axis cross-over.

Quote:
INSTANT COMPOSITION =245

This 245, for me, has always represented the two tritone positions either side of the mirror. This position is a 4.5 within the major scale. It also replicated itself along the 45 degree angle. The 245 also breaks down to an 11, and it is the 11th overtone either side of the mirror that contains the same invisible like axis at a tritone interval away from the fundamental tone.

Your Integrated Circuit is spot on!! That is how we should learn to build any machines in the future. A machine must contain a tonal fountain, have components at 45 degree angles, that are tuned to the star of David symbol that mirroring throws up.

Once it is clearly seen that there is only one mirror structure possible, and it comes to resemble a Star of David, it is amazing how many other ways there are of finding it. Numbers point to this same structure. Yet they must be numbers as reflected within an overall symmetrical picture. Here is an example of what will throw up the organic structure within nature:

5 = E
55 = A
555 = C#
5555 = F
55555 = A
555555 = C#
5555555 = F

The F A C# is one of the triangles that combines to make a star of David symbol.

55555555 = Ab
555555555 = C
5555555555 = E

Ab C E is another of the triangles. In all there are four triangles, and two Star of Davids. What has been unearthed so far is one triangle from
each of the two stars.

55555555555 = Ab
555555555555 = C
5555555555555 = E
55555555555555 = Ab
555555555555555 = B
5555555555555555 = Eb
55555555555555555 = G

B Eb G, is the third of the four triangles. Only the D F# Bb to go:

555555555555555555 = B
5555555555555555555 = Eb
55555555555555555555 = G
555555555555555555555 = B
5555555555555555555555 =- D
55555555555555555555555 = F#
555555555555555555555555 = Bb

And there it is.

Every number treated this way will produce the triangle frequencies in the same was as is produced when the major scale is mirrored. But that is not the same as putting music to a real physical mirror. One mirrors the formulas that build the scales. In fact all that is happening within these numbers are that the Phi portion equates to slightly less than a minor 6th. Using symmetrical number arrays gives access to the creative principle within Phi. That implies that the same process is evident on the mirror side of music scales and numbers.

This same Star of David structure appears within the zodiac chart, and can also be run in tandem with the Tzolkin grid. I have come to know it as the consciousness aspect within the Form.

Thanks for the coincidence anyway!

Lui

luigi.di-martino

http://www.greatdreams.com/five/five.htm




Quote:
Numbers/Frequencies Mirroring

1 2 4 8 16 32 64 128 (256*) 512 1024 2048 4096 8192

If we make middle C (256*) a central axis point we find that there is an increase of 256 to the right ( 512 ) and a decrease of 128 to the left. The difference between 128 and 512 is 384. 384 is then broken down to a number between 1 and 9. 384 = 3+8+4=15=1+5=6.

Now moving left by one and right by one from 128 and 512 respectively gives us 64 and 1024. The difference between these two numbers is 960. Again this total can be broken down to a number between 1 and 9. 960=9+6+0=15=1+5=6.

One to the left and one to the right again gives us 32 and 2048, a difference of 2016. This becomes the number 9 when broken down as above.

The whole sequence is 6 6 9 3 3 9 6 6. It is a very symmetrical sequence as you can see flowing true either left or right. This is only one way to uncover a number sequence which describes the relationship of the original numbers above in a different way. It is obviously possible to move the axis point and thereby uncover more number sequences and it will be dealt with after the next experiment in finding hidden number sequences which can be applied to a multitude of numbers in general. Another number sequence will emerge if all the above numbers are broken down cabalistically (numbers 1 - 9).

1 2 4 8 16 32 64 128 256 512 1024 2048
1 2 4 8 7 5 1 2 4 8 7 5

The number sequence 1 2 4 8 7 5 is repeated eternally. The other interesting thing with this sequence is that it works in reverse fashion if the number 1 is continually halved.

1 = 1, 0.5 = 5, 0.25 = 7, 0.125 = 8, 0.0625 = 4, 0.03125 = 2, 0.015625 = 1 etc


http://www.greatdreams.com/grace/99/99FFFelectrons.html

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Optimist777



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PostPosted: Thu Mar 08, 2012 9:16 pm    Post subject: Reply with quote

Here is more regarding the harmonic number 729, I believe it to be very important in the grand scheme of things.
9 x 9 = 81, 81 x 9 = 729!

0 1 3 6 9 13 729

In the 9 x 9 x 9 cube (connected to the moon) the volume is 729 while the surface area is 486 (729 = 1.5 x 486). 729 is the number equivalent of Cephas (Aramaic for rock), the name given to Simon Peter ("You are Simon, the son of John. You will be called Cephas."), while 486 is the equivalent of rock (Greek petra), as in 'Thou art Peter, and upon this rock I will build my church'.

729 is the smallest odd number greater than 1 that is both a cubic number and a square number (9 cubed and 27 squared). The smallest even number (greater than one) that works is 64 (4 cubed and 8 squared like the checker board).

3x3=9
3x6=18 1+8=9
3x9=27 2+7=9

6x3=18 1+8=9
6x6=36 3+6=9
6x9=54 5+4=9

9x3=27 2+7=9
9x6=54 5+4=9
9x9=81 8+1=9

9x9x9=729

The 27 by 27 magic square has been dubbed the Calendar Square, because it has the number 365 at the center (Enoch lived 365 years), and because 729 is said to represent 365 days and 364 nights. The Sum of the whole 27x27 square is 9,855 being the number of days in a 27 year period. The Sum of the inner and central 3x3 square is 1,095 being the number of days in a 3 year period. The Sum of the central 9x9 square is 3,285 being the number of days in a 9 year period. Note that there are nine 9x9 squares in the figure.

The cube is the 9x9x9 cube while the courtyard is 27x27, where the surface area of one is the volume of the other. The 4x4x4 cube occupies the center of the 8x8 square (the checkerboard) in the same manner.

The name Cephas was not chosen at random for, by gamatria, it amounts to 729, and represents the CUBIC foundation stone facing. This number was most important to Plato, and the Pythagoreans; not only is it a Cube (9 X 9 X 9), but it is also a Square (27 X 27), and is associated with the Solar year.

The gematria of Αρσιησισ, a Greek rendering of Harsiesis which means 'Horus Son of Isis', = 729.

http://homepage.virgin.net/vernon.jenkins/Cephas.htm



Could 729 Hz relate to 3,6,9 in any way? I believe it does. Let's also remember that 729hz is the resonant frequency of 432hz. Wink

Also the constellation Cepheus is right next to the north pole, and Alpha Cephei (Alderamin) is the right arm of King Cepheus which spins so fast that its equator whirls at more than half a million miles per hour. They found that the star is about 27 percent fatter through the equator than through the poles. No one knows for sure why Alderamin spins so fast. It will also because of precession, be the north pole star in 7500 AD.

Concerning astrology, the stars in the king are very, very good to have in ones chart, Alderamin in paran with Sol would be ideal. Alderamin was also Gandhi's heliacal setting star. Wink

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Optimist777



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PostPosted: Thu Mar 15, 2012 7:08 pm    Post subject: Reply with quote

In the book The Scientific Basis and Build of Music, Dougald Carmichael Ramsay describes the genesis of the notes of the chromatic scale. He agrees with Euler in designating the root of the scale to be F. The rest of the scale of notes is generated by primes 3 and 5. So F becomes 1, x3 C becomes 3, x3 G becomes 9, x3 D becomes 27.

By raising D27 by the harmonic octave of 2 several times we reach 432.

As shown above in the chromatic system D should be 432hz.

Quote:
At 432 the note 'D' resonates at 144000 times per second, so tempos of 36, 72, 108, 144 etc are in tune with the notes!

http://omegafoundation.siriuscomputing.net/Music/432.htm

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Raphael



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PostPosted: Thu Mar 15, 2012 8:49 pm    Post subject: Reply with quote

I am not a musician but 'F' strikes a chord with me, has for some time.

namaste

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Raphael



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PostPosted: Thu Mar 15, 2012 9:33 pm    Post subject: Reply with quote

Optimist777 wrote:
Did the Egyptians know about this natural re-appearing magical sequence, and does it link harmonically with the Pi Ra Mid's? David Jay Jordan makes some very good points on his webpage. The tri-tone F# sharp may be the magical key that unlocks the mystery's of antiquity, Lui Di Martino would surely agree. Maybe Raphael was right about sound all along, and it's been heavily tampered with because of it's available balanced connection with light and to our cellular structure & DNA? David even includes some thoughts on 137. Wink


So if 729 hertz makes the regular F sharp, then if via Pythagorus Constant or the constant that harmonizes the Sun and Moons rotations via their timing around the Earth 365.24/360 = approximately 1.014 then it yield's 739.26 Hz, so if taken to more exactness when we round up, it then exactly equal's 740 Hz and the 370, 37 and 74 Hz. Very Happy


Lui and me met and argued years ago on the Coral Castle site.
Surprised?

I was investigating the 4 vs 5 archetype, he claimed 4.5 was the cross-over.
But he never could give me a specific frequency.

And yes I was right about SOUND all along. Wink

I claimed if they found the Higgs Boson it would be connected to SOUND.

I made that prediction (one of them) before (yes I have proof) they started applying sound signatures to Higgs.

But what I did NOT know when arguing with Lui and neither did he is that Frank Z. actually says the SOUND to LIGHT transfer occurs "Znidarsic's Constant" 1094000 m/s.

Quote:
“The quantum condition emerges at points where the electronic velocity of light equals the nuclear velocity of sound.”
Frank Znidarsic 2009

http://www.angelfire.com/scifi2/zpt/chapterb.html


Quote:
Fine Structure Constant: 1/137.035999074

Frank Znidarsic's number = z = 1094000 m /s
speed of light = c = 299 792 458 m / s

(z * 2) / c = 1 / 137.016662706

http://www.mail-archive.com/vortex-l@eskimo.com/msg59696.html


So how easy is it embed the speed of light in m/sec in the Great Pyramid?
Give me 1 chess board, we draw two 2 circles.
All you need to know or remember.
Thousands of years later AHA!
Wink




RaphaEL and ELvI5 are back in the building.
Did we ever leave?

namaste

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Optimist777



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PostPosted: Fri Mar 16, 2012 12:48 pm    Post subject: Reply with quote

Raphael wrote:
I am not a musician but 'F' strikes a chord with me, has for some time.

namaste


AUM, are you Sirius? Wink

http://aumstar.com/

Also, F in the hexi-decimal system = 1111 in Binary !!

In the regular decimal system, F would equal 15.

http://www.denalimultimedia.com/info/Articles.aspx?cid=02&topic=hexadecimalsystem

A threshold indeed.

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PostPosted: Fri Mar 16, 2012 3:54 pm    Post subject: Reply with quote

Raphael wrote:
But what I did NOT know when arguing with Lui and neither did he is that Frank Z. actually says the SOUND to LIGHT transfer occurs "Znidarsic's Constant" 1094000 m/s.

Quote:
“The quantum condition emerges at points where the electronic velocity of light equals the nuclear velocity of sound.”
Frank Znidarsic 2009

http://www.angelfire.com/scifi2/zpt/chapterb.html


Quote:
Fine Structure Constant: 1/137.035999074

Frank Znidarsic's number = z = 1094000 m /s
speed of light = c = 299 792 458 m / s

(z * 2) / c = 1 / 137.016662706

http://www.mail-archive.com/vortex-l@eskimo.com/msg59696.html


So how easy is it embed the speed of light in m/sec in the Great Pyramid?
Give me 1 chess board, we draw two 2 circles.
All you need to know or remember.
Thousands of years later AHA!
Wink


Great find Raph, it seems that all the constant's in nature always have a connection to 137 some how, some way.
Gotta love it! Very Happy

Here's a good thread on the subject:
http://www.energeticforum.com/renewable-energy/6872-steorn-effect-successfully-reversed-engineered.html

Quote:
63 - 37 = 26. It should be obvious where the 63 and 37 came from.

26 / 23mH = 1.130

1.130 - 1.094 = 0.036

1.094 megahertz-meters is the quantum transitional speed. When the speed of light in the electronic structure matches the speed of the mechanical waves in the nuclear structure, then there is an impedance match which allows for a 100% transfer in energy (this is the reason for no BEMF when building the magnetic field in the coil). The speed of the mechanical waves in the nuclear structure is 1.094 megahertz-meters. The 0.036 difference is negligible and is more than likely due to the inductance varying slightly at the end of the pulse and because the 63 and 37 are the approximate values.

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PostPosted: Mon Mar 19, 2012 10:06 am    Post subject: Reply with quote

Optimist777 wrote:
Walter Russell & Dale Pond deserve honorable mention.



do you think/feel we are in a charging or discharging cycle and why?

namaste

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Optimist777



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PostPosted: Tue Mar 20, 2012 12:25 pm    Post subject: Reply with quote

Raphael wrote:
Optimist777 wrote:
Walter Russell & Dale Pond deserve honorable mention.



do you think/feel we are in a charging or discharging cycle and why?

namaste


Maybe we are at the end of charging about to reach the still neutral point on Dec 2012, or the fulcrum point according to Walter Russel & John Keely. After the crossing of the invisible axis (F#4.5) we will begin to discharge again, so time is money they say.

Quote:
Neutral (focal) Centers

Any two bodies when sympathetic, will mutually attract each other to a point of coincidence determined by each body's degree or strength of concordant sympathy. The point of mutual attraction will be somewhere between the two bodies. If more bodies participate in the mutual attraction a point will be established by vectors and strengths of the individual concordant flows of sympathy. This point of convergence is called a Neutral Center or a Center of Focalization of Vibratory Forces. Also called a point of convergence of centralizing forces.

"Neutral centers are the center of sympathetic coincidence."

Forces assimilating to and dispersing from Center of Coincidence


http://pondscienceinstitute.on-rev.com/imagesCOS/Fig.%2029_120.jpg

These Neutral Centers are the controlling medium of transforming chaotic states into states of non-motion or harmony. They constitute a fulcrum about which relative motion acts.



Arrow http://pondscienceinstitute.on-rev.com/svpwiki/tiki-index.php?page=neutral+center

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PostPosted: Wed Mar 21, 2012 8:59 pm    Post subject: Reply with quote

Quote:
According to Boris Said, who was with Tom Danley when he conducted his tests, the King’s Chamber’s resonated at a fundamental frequency and the entire structure of the King’s Chamber reinforced this frequency by producing dominant frequencies that created an F sharp chord. Using large amplifiers F sharp is the frequency that is in harmony with the earth. Said claimed that the Indian Shamans tuned their ceremonial flutes to F sharp because it is a frequency that is sacred to mother earth.

http://www.gizapyramid.com/Leone1.htm

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PostPosted: Wed Mar 21, 2012 10:37 pm    Post subject: Reply with quote

As my dad used to say: "I only wanted to show you how big of a putz our Rabi really is".
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PostPosted: Wed Mar 21, 2012 11:08 pm    Post subject: Reply with quote

King Solomon had two pillars built called Boaz and Jachin.
Quote:
And he set up the pillars in the porch of the temple: and he set up the right pillar, and called the name thereof Jachin: and he set up the left pillar, and called the name thereof Boaz. 1Ki 7:21

And he reared up the pillars before the temple, one on the right hand, and the other on the left; and called the name of that on the right hand Jachin, and the name of that on the left Boaz. 2Ch 3:17


Number 169 hides the whole Trinity emblem which we can compare to Qabalistic Tree of Life. (hermetic)

Gematria of "The Virgin Mary" = 169

Jachin = yod (10) + kaph (20) + yod (10) + nun (50) = 90
Boaz = beth (2) + ayin (70) + zayin (7) = 79
Jachin + Boaz = 90 + 79 = 169 (13x13)

Number 169 signifies three great centers on the Tree of Life: number 1 is Kether or Crown, number 6 is Tiphareth or Beauty (Sun), number 9 is Yesod or Foundation (Moon). These centers are three basic alchemical elements of sulphur (Sun), salt (Moon) and divine mercury/quicksilver (Mercury).

169 years between 1776 and 1945, the end of World War II
888 + 888 = 1776

The One dollar bill has an extreme fascination with the number 13, here's two examples among many.
"ANNUIT COEPTIS" has 13 letters and sums 169
"E PLURIBUS UNUM" has 13 letters and sums 169

In Genesis 10:26-30 Joktan was the 13th son of Shem, the gematria of his name is 169, he had 13 sons, the gematria of their names is 2756 or 212 x 13, they were a rebellious people.

Also, two biblical characters, male Lamech and female Adah (husband and wife, descendants of Adam) have following gematria:

Lamech = lamed (30) + mem (40) + kaph (20) = 90
Adah = ayin (70) + daleth (4) + heh (5) = 79
Lamech + Adah = 169

So, the same relationship between two masonic pillars that are analogous to cosmic duality, are also evident in relationship between the husband and wife. The square root of 13 =169 (13 x 13) 1 = the all, 6 = earth, 9 = heaven. 169 heaven and earth united as one into matter.

Quote:
Hexagon 169

We find further evidence that these numerical values have been designed with cube 512 in mind, when we project the cube onto a surface along one of its diagonals, to create its 2D diagonal projection: hexagon 169. Note that this is the 8th member of the centred hexagon series.



http://www.thenewbiblecode.comuf.com/theeightfoldpath.html


In the Torah's 7th Parshah we also find the same archetypal 169 connection.
http://www.inner.org/parshah/genesis/vayeitzei/E68-0301.php

169 + 343 = 512 Idea

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Optimist777



Joined: 12 Sep 2011
Posts: 262

PostPosted: Thu Mar 22, 2012 2:13 pm    Post subject: Reply with quote

Optimist777 wrote:
32,768 khz seems to be another sacred frequency, the pyramids are made of limestone which primarily exists out of quartz.
The frequency of quartz is 32.768Khz. Finding the octave dividing by 2, you'll find it is a higher octave of the Schumann frequency which is 7.8125 Hz!

"Approximately 7.81 Hz corresponds with what is understood to be the rate of vibration of the electromagnetic field thrust upward from the earth." – Dr. Sheldon Lewkis
http://www.urigeller.com/content/research/houck2.htm

Quote:
32.768 KHz oscillator using a watch crystal

The output can be fed to a 15 stage binary counter to obtain a 1 second square wave.
http://www.eleccircuit.com/32768-khz-oscillator-using-a-watch-crystal/


Looking at the circle of fifths and pythagorean comma, I noticed that if you take C=256 x 1.5 12 times you get 33,216.
Divide that by 2 7 times = 259.5. Off to say the least.

Take 256 x 2 7 times = 32,768 and you also get to exactly 32,768 by 256 x square root of 2 to 15 decimals.
A circle of tritones lines up perfectly with the octave all the way through. Is this trivial?

Quote:
This is a mathematical interpretation of W.Pauli's dream " the vision of the world clock "...page 151:

" Then Pauli has a dream that he calls " the great vision - the vision of the world clock". It is an impression of " the most sublime harmony " he tells Jung, and it fills him with happiness and peace:

There is a vertical and horizontal circle , having a common center. This is a world clock. It is supported by a black bird. The vertical circle is a blue disc with a white border divided into 4*8=32 partitions. A pointer rotates upon it. The horizontal circle consists of four colors. On it stand four little men with pendulums and around it is laid the ring that once dark is now golden....The clock has three rhythms or pulses:

1....The small pulse: the pointer on the blue vertical disk advances by 1/32.

2...The middle pulse: one complete revolution of the pointer. At the same time the horizontal circle advances by 1/32.

3...The great pulse: 32 middle pulses are equal to one revolution of the golden ring.

( end book quote)


To interpret this dream one determines the total number of clicks ( small pulses ) that generates one revolution of of the golden ring , which is 32 cubed = 32768 small pulses. Assuming this is the total circumference of a two dimensional ring or circumference , the radius of this structure = 32768 = 2 * Pi * radius , where:

radius = 5215.189175...

...the collective unconsciuos constant .8918918914... is involved due to:

192962 / 37 = radius = 5215.1891891...
192962 = 2 * 7 * 11 * 1253

...assume now that 32768 equala the area of a disk , such that:

32768 = Pi * radius^2

J.Iuliano

http://www.thenakedscientists.com/forum/index.php?topic=25607.0


The quartz crystal in your wrist watch (precisely cut and shaped like a tuning fork) oscillates at 32768 times per second. Idea

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